"The good thing about the way we mix is that we take our time, and are continuously revisiting each mix, listening on many different systems and making notes and adjustments as we go. There are four of us doing the reviewing: Eddie Arkin, Carlos, myself, and of course, Lorraine. There's a lot of attention to detail, especially making sure we hear and understand all of Lorraine's wonderful lyrics. We call this part of the process 'nit-picking,' and we have some special techniques in balancing Lorraine's vocals with the band. This multiple scrutinization adds up to a refinement that ends up with everyone happy. What's great is that Lorraine always goes the full nine yards in allowing this to happen. Mixing by committee seems to work very well.
"Also, for the last two records, the mixes have been put through a Neve summing device which puts digital mixes back through analog, giving it an even bigger, warmer sound. The final step is a good mastering with Bernie Grundman and voila, there you have it.
"One of my favorite things in life is making a Lorraine Feather record. I can't wait till we start the next one..."
Photo credits Page 1, Geoff Gillette, Lorraine Feather, Carlos Del Rosario: Eddie Arkin Page 2, Dave Grusin: Andy Ihnatko Page 3, Shelly Berg: Jim Wadsworth Productions Page 4, Eddie Arkin: Timothy Teague Page 7, Russell Ferrante: Mitch Haupers
World music pioneer Adam Rudolph and his groundbreaking Go: Organic Orchestra join forces with Brooklyn Raga Massive to create the monumental new album, Ragmala – A Garland of Ragas (Meta Records). Ragmala bridges generations, cultures and traditions in a deep-rooted, forward-looking sound born of 21st-century innovation and hybrid voices. Epic in scale and ambition, the project features 40 world-class musicians including Gnawa master musician Hassan Hakmoun, legendary drummer/percussionist Hamid Drake, forward-thinking cornetist Graham Haynes, and tradition-blurring flutist...
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