Loren Stillman has emerged from prodigy status into a player of great interest. While using traditional instrumental formats and settings, the altoist has an approach to tunes that sound fresh and different. On both of these recordings - The Brothers' Breakfast a quartet with guitar, organ and drums and Trio Alto Volume One a trio with bass and drums - Stillman displays youthful enthusiasm and a willingness to experiment lightly with textures and sound pictures.
The Brothers' Breakfast is made almost entirely of Stillman originals. Like Monk (whose "Gallop's Gallop is the only cover here), these compositions call for subtle new ways of playing and listening. This novel approach is evident from the start with "Under the Influence . Initially, there is that lovely and disorienting sense of trying to get a foothold in the melody and it kicks in with surprise and revelation. Stillman and guitarist Vic Juris airily solo over a quiet and strong foundation that drummer Jeff Hirshfield and organist Gary Versace lay down. And then Versace himself digs in and finds the dark beauty in the tune. All of the songs take unexpected turns - "Densities redirects the rock feel for example and "Crushed Ice is warm and evanescent - and the instrumentalists seem to be having a grand time.
Stillman's smart compositional style even manifests itself when he's playing other people's music. Trio Alto Volume One has only one Stillman original and it sits well in a program of tunes that might be part of, say, a Charlie Parker gig. Without the chordal instruments, Stillman and his cohorts - Hirshfield again and Steve LaSpina on bass - are free to spin out dramatically and imaginatively. Right away with the opener, "Long Ago and Far Away , Stillman reharmonizes the Jerome Kern melody and it feels like a new tune. The saxophonist regularly finds the riches in the melody but he seems to relish getting there. LaSpina and Hirshfield are both extraordinary trio players and help turn every tune into an adventure. Even Bill Evans tunes that might scream for a keyboard or guitar - "Turn Out the Stars and "Time Remembered - are re-imagined without any loss of essence. And incredibly surprising is "All The Things You Are , in which a brief bass statement of part of the melodic line leads to a Stillman solo that re-assesses the old chestnut and does not remind us at all of the 1000s of jazz interpretations of the tune. These three are locked together - nothing feels superfluous - in sterling reworkings that keep the tunes and the inventive spirit alive.
Tracks and Personnel
The Brothers' Breakfast
Tracks: Under the Influence; Christmas Socks; Johnny Rock; Densities; Crushed Ice; Gallop's Gallop; Folk Song; Deified; Today's Tomorrow Song; The Brothers' Breakfast.
Personnel: Loren Stillman; alto saxophone; Vic Juris: guitar; Gary Versace: organ; Jeff Hirshfield: drums.
Trio Alto Volume One
Tracks: Long Ago and Far Away; Turn out the Stars; Red Cross; The State of the World; All The Things You Are; Time Remembered; What is This Thing Called Love; Body and Soul; The Touch of Your Lips.
Personnel: Loren Stillman: alto saxophone; Steve LaSpina: bass; Jeff Hirshfield: drums.
I love jazz because it expresses things so deep that I can't transform in words.
I met John Pizzarelli.
The best show I ever attended was MASP in São Paulo Brazil.
The first jazz record I bought was a Baby Dodds CD.
My heroes on drums: Papa Jo Jones, Sid Catlett, Gene Krupa, Baby Dodds, Zutty Singleton, Ray Bauduc, Vernell Fournier,
Shelly Manne, Jimmy Cobb, Joe Morello, Daniel Humair, Kenny Clarke, Sonny Carr, Buddy Rich, Sam Woodyard, Cozy Cole,
Sonny Greer, Neil Peart, Carl Palmer, Tony Sbarbaro, Vic Berton, Edison Machado, Milton Banana, Rubens Barsotti.
My heroes in jazz: Duke Ellington, Count Basie, Chet Baker, Miles Davis, Ahmad Jamal, Coleman Hawkins, Teddy Wilson,
Barney Kessel, Lester Young, Johnny Hodges, Jelly Roll Morton.