Home » Jazz Articles » Multiple Reviews » Loren Stillman: The Brothers' Breakfast; Trio Alto Volume One

213

Loren Stillman: The Brothers' Breakfast; Trio Alto Volume One

By

Sign in to view read count








Loren Stillman
The Brothers' Breakfast
SteepleChase
2007


Loren Stillman
Trio Alto Volume One
SteepleChase
2007




Loren Stillman has emerged from prodigy status into a player of great interest. While using traditional instrumental formats and settings, the altoist has an approach to tunes that sound fresh and different. On both of these recordings - The Brothers' Breakfast a quartet with guitar, organ and drums and Trio Alto Volume One a trio with bass and drums - Stillman displays youthful enthusiasm and a willingness to experiment lightly with textures and sound pictures.

The Brothers' Breakfast is made almost entirely of Stillman originals. Like Monk (whose "Gallop's Gallop is the only cover here), these compositions call for subtle new ways of playing and listening. This novel approach is evident from the start with "Under the Influence . Initially, there is that lovely and disorienting sense of trying to get a foothold in the melody and it kicks in with surprise and revelation. Stillman and guitarist Vic Juris airily solo over a quiet and strong foundation that drummer Jeff Hirshfield and organist Gary Versace lay down. And then Versace himself digs in and finds the dark beauty in the tune. All of the songs take unexpected turns - "Densities redirects the rock feel for example and "Crushed Ice is warm and evanescent - and the instrumentalists seem to be having a grand time.

Stillman's smart compositional style even manifests itself when he's playing other people's music. Trio Alto Volume One has only one Stillman original and it sits well in a program of tunes that might be part of, say, a Charlie Parker gig. Without the chordal instruments, Stillman and his cohorts - Hirshfield again and Steve LaSpina on bass - are free to spin out dramatically and imaginatively. Right away with the opener, "Long Ago and Far Away , Stillman reharmonizes the Jerome Kern melody and it feels like a new tune. The saxophonist regularly finds the riches in the melody but he seems to relish getting there. LaSpina and Hirshfield are both extraordinary trio players and help turn every tune into an adventure. Even Bill Evans tunes that might scream for a keyboard or guitar - "Turn Out the Stars and "Time Remembered - are re-imagined without any loss of essence. And incredibly surprising is "All The Things You Are , in which a brief bass statement of part of the melodic line leads to a Stillman solo that re-assesses the old chestnut and does not remind us at all of the 1000s of jazz interpretations of the tune. These three are locked together - nothing feels superfluous - in sterling reworkings that keep the tunes and the inventive spirit alive.


Tracks and Personnel

The Brothers' Breakfast

Tracks: Under the Influence; Christmas Socks; Johnny Rock; Densities; Crushed Ice; Gallop's Gallop; Folk Song; Deified; Today's Tomorrow Song; The Brothers' Breakfast.

Personnel: Loren Stillman; alto saxophone; Vic Juris: guitar; Gary Versace: organ; Jeff Hirshfield: drums.

Trio Alto Volume One

Tracks: Long Ago and Far Away; Turn out the Stars; Red Cross; The State of the World; All The Things You Are; Time Remembered; What is This Thing Called Love; Body and Soul; The Touch of Your Lips.

Personnel: Loren Stillman: alto saxophone; Steve LaSpina: bass; Jeff Hirshfield: drums.


< Previous
Gateway

Next >
Stengam

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

8 Concepts of Tango
Hakon Skogstad
How Long Is Now
Christian Marien Quartett
Heartland Radio
Remy Le Boeuf’s Assembly of Shadows

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.