Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

221

HAT: Local HAT

Mark F. Turner By

Sign in to view read count
Too much of it might be undesirable but a little psychedelia is good thing. The Catalan-based group simply called HAT offers it up on Local HAT, with its unique blend of modern jazz that touches on everything from abstract, rock, avant-garde, catchy pop-influenced hooks, and whatever else spawns from its richly diverse music environment surrounding Barcelona, Spain.

The group's leaders—guitarist Jordi Matas and keyboardist Sergi Sirvent—have collaborated in various works with forward-thinking momentum, as heard in Matas' Organic Trio on Landscape (2007), and Sirvent's Free Quartet (2005), both on Fresh Sound Records. But when the two formed HAT in 2004 they not only brought their individual experiences to the table, but personified anew the English expression of "wearing different hats." The disparate ideas coalesced into unusual directions on the debut, Hi Ha (Fresh Sound New Talent, 2005), and is even further pronounced in this release.

The first track, "Only now is then" gives a hint into what's in store; a jazzy number with Sirvent's silky keys and smooth crooning lyrics, "You never know what's coming next..." It morphs with ease into "Automatic extern"'s full wildness: a tripped out organ/Fender Rhodes solo, funky rhythmic backbone (provided by bassist Marc Cuevas and drummer Oscar Domènec), and splashes of synth-vocoder lyrics; all before the track's sudden cool-down. Sort of like withdrawal from an illegal substance, but in this case it's a very good trip.

Things take a different turn with "Molaria molaria," a mellifluous display of the group's versatility with lyricism and texture: slide guitar, bowed bass, and Sirvent's impressive multi-instrumentalist duties, now on trumpet. The music is consistently surprising and thoroughly intelligent. The groove-oriented "Perhats" has that Fender Rhodes cool-jazz vibe, whereas "Coincidencies" possesses a rock-anthem mantra and nonchalant swagger, dotted with reverberating keyboards and Matas' edgy fuzz-toned slashing.

The compositions are further enhanced by the intricate inclusion of electronic sampling: the sound of a scribbling pencil in the beginning of "La carta"; an indigenous voice in "Guru"; and the ubiquitous sound of water in "Rain." These musicians are artists, taking creative liberties to further to describe each track. "Guru''s strangeness is balanced by subtle effects, but also by a beautiful change in tempo, where each instrument adds to the canvass.

The set concludes appropriately with the same attitude from which it began. "Money"'s got that sixties acid rock-inverted Pink Floydian attitude, via Matas' metallic guitar shrapnel. But the set closes with a 180 degree turn on "Nana para un difunto"—a poignant ballad, lifted by Sirvent's feathery trumpet and Matas' emotive strings. A wonderful closer to a unique and interesting journey.

Visit HAT on the web.

Track Listing: Only now is then; Automàtic extern; Molaria molaria; Perhats; Coincidències; La carta; Gurú; Rain; Money; Nana para un difunto;

Personnel: Jordi Matas: guitar; Sergi Sirvent: keyboards, piano, Fender Rhodes, trumpet, vocals; Marc Cuevas: bass; Oscar Domènech: drums.

Title: Local HAT | Year Released: 2010 | Record Label: Self Produced


Tags

comments powered by Disqus

More Articles

Read Acknowledgement CD/LP/Track Review Acknowledgement
by Don Phipps
Published: November 23, 2017
Read Lessons And Fairytales CD/LP/Track Review Lessons And Fairytales
by Jerome Wilson
Published: November 23, 2017
Read The Child in Me CD/LP/Track Review The Child in Me
by Friedrich Kunzmann
Published: November 23, 2017
Read The Way Home CD/LP/Track Review The Way Home
by Joe Gatto
Published: November 23, 2017
Read Shadow Work CD/LP/Track Review Shadow Work
by Phil Barnes
Published: November 22, 2017
Read Veterans of Jazz CD/LP/Track Review Veterans of Jazz
by Mark Sullivan
Published: November 22, 2017
Read "King For A Day" CD/LP/Track Review King For A Day
by Glenn Astarita
Published: June 3, 2017
Read "Clean" CD/LP/Track Review Clean
by Dan Bilawsky
Published: August 15, 2017
Read "Been Up So Long It Looks Like Down to Me: The Micros Play the Blues" CD/LP/Track Review Been Up So Long It Looks Like Down to Me: The Micros Play...
by Troy Dostert
Published: March 3, 2017
Read "Double Strike" CD/LP/Track Review Double Strike
by James Nadal
Published: May 31, 2017
Read "Blind Curves and Box Canyons" CD/LP/Track Review Blind Curves and Box Canyons
by Karl Ackermann
Published: May 4, 2017
Read "The Chase" CD/LP/Track Review The Chase
by Roger Farbey
Published: October 16, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor