Let's start off with the meat of the matter: Live in New York is hard bop of the highest order; it drives straight ahead with a crackling energy. If Art Blakey can hear this disc up in jazz heaven, he surely has a big grin on his face.
And now a tangent. You've got to love the cover art: a clean line design, nice geometry, a square within a square, and enclosed in the smaller of the two, a painting (by Madeline Bachan Kaur Sullivan) of five codgers on a bencha bit of a joke, perhaps, about the relative youth of the players who comprise the Uptown Quintet.
The disc opens with altoist Ian Hendrickson-Smith's "O'Cleary's Shuffle"and since I've mentioned Art Blakey, this has a real "Moanin'" feelwith a unison statement by Hendrickson-Smith and trumpeter Ryan Kisor, follwed by a series of spirited solos by first alto then trumpet, then Spike Wilner's piano, then Barak Mori's bass in front of Charles Ruggiero's whispering cymbals, relaxed and inspired at the same time.
From a shuffle to a cooker, pianist Wilner's "In the Kitchen" turns up the heat, with Hendrickson-Smith keeping the flame up high on his turn. Wilner and Ruggiero rollick on the keys and skins, and Kisor sizzles.
The set is nicely paced, full of spontaneity, first-rate musicianship, and group interplay... hard bop at its finest.
Track Listing: O'Cleary's Shuffle; In the Kitchen; A Foolish Lament; Sweet Pumpkin; Calypso Cove; Blue
Minor; Joyful Abandon.
Personnel: Ryan Kisor: trumpet; Spike Wilner: piano; Ian Hendrickson-Smith: alto saxophone; Barak
Mori: bass; Charles Ruggiero: drums.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.