108

Naftule's Dream: Live In Florence

AAJ Staff By

Sign in to view read count
Naftule's Dream: Live In Florence
Okay, you have your clarinet and your accordion. A relative predominance of minor Jewish folk melodies. More than ample foot-stomping beats. But does that make it klezmer? Yes and no. Naftule's Dream has crafted a postmodern deconstruction of klezmer which sneaks in such dominant instruments as the electric guitar and the tuba (!). That makes their sound but a distant cousin of the music most people outside the Faith don't tend to listen to very often. And for those (like me) with klezmer allergies, have faith! This will heal you!

You can learn who started the thing and who composes for it and all that from the liner notes. Concentrating on the music that results, it's basically a version of modern jazz's in-out combination. Parts of the music feature tunes you can sing along with, and other parts travel to heretofore unknown regions of outer jazzspace. When things get hot and heavy, it's interesting to see how Naftule's Dream combusts. (The accordion can scream just as piercingly as the clarinet, in case you were wondering.) These musicians obviously have spent some time together, because they are tight when it comes to playing in their ever-shifting pastiche of moods and colors. When things get quiet, you get to hear the lonesome cries of the tuba and the ethereal echoes of the guitar. All in context, all nakedly real. Often quite fun. Who can argue with the heavy funk groove on "Dirge Sirba," for example, whatever the icing on top?

Parts of this music sound arranged (the heads, mostly) but the rest has a very spontaneous feel. It's most definitely a live performance, have no doubt. Like any group of this size (a sextet), the combinations that emerge between different players and instruments are what make the music work. Funk here, a stomp there, a stark cry, quiet conversation, and whispers about silence. You can invent a category. Whatever it is, it's certainly only part klezmer.

(And for Naftule-philes, this fine live performance most definitely sits atop the heap, and we're not on Tzadik any more.)

Visit Innova on the web.

Track Listing

Free Klez, I-IV; Aimless Path; A Prayer for No One; Industrial Bulgar; Dirge Sirba; The Sitting Man; The Wanderer; A Friend of Kafka; Dischord.

Personnel

Glenn Dickson: clarinets; David Harris: trombone; Michael McLaughlin: accordion; Pete Fitzpatrick: electric guitar; James Gray: tuba; Eric Rosenthal: drums.

Album information

Title: Live In Florence | Year Released: 2002 | Record Label: Innova Recordings

Post a comment about this album

Tags

Shop Amazon

More

Read Lost & Found
Lost & Found
Guillermo Bazzola
Read Night Visions
Night Visions
Scott Sawyer
Read The Dancing Devils of Djibouti
The Dancing Devils of Djibouti
The Dancing Devils of Djibouti
Read People Flow
People Flow
Erik Verwey
Read Kites and Strings
Kites and Strings
Ben Rosenblum Nebula Project
Read Borrowed From Children
Borrowed From Children
Paul Flaherty / Mike Roberson / Randall Colbourne / James Chumley Hunt

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.