Singer Kurt Elling’s first three recordings for Blue Note records were quite ambitious, but being studio albums, they lost much of Elling’s spirit in the production. The jazz singer, like the poet, is best heard live. Elling, captured during a three-night gig at Chicago’s Green Mill, finally has realized (on record) his full potential. He’s a scatting, rapping, swinging metaphysician of hip. The former philosophy and divinity student picks up on the vocal tradition of Mark Murphy, maybe becoming the Chicago cousin of Frank Sinatra. Packed with guest appearances, the seventy minutes of music hardly seems adequate to satisfy a listener. There’s a duet with hand drummer Kahil El’Zabar on Sting’s “Oh My God,” Jon Hendricks joins in on two tracks swapping vocals and smart scatting, and Chicago saxophonists Ed Petersen, Von Freeman, and Eddie Johnson crash the party for the spoken-word jam, “The Rent Party.” An early entry into my list of jazz records of the year, Elling is the everyman’s singer. Like Tony Bennett, and Springsteen for that matter, his voice isn’t pretty but real. You think, I could sing like that and then he scats “The Flight of The Bumblebee,” and you realize there’s a fuel-injected six-cylinder turbo under his hood. As long as he doesn’t catch Cassandra Wilson (overproduction) disease, he should be at the top of the vocal game for some time.
Track Listing: Downtown; My Foolish Heart; Smoke Gets In Your Eyes; Oh My God; Night Dream; (I Love You) For Sentimental Reasons; Intro: (Esperanto); Esperanto; Don’t Get Scared; Into (Goin’ To Chicago); Goin’ To Chicago; Intro (The Rent Party); The Rent Party; Blues Chaser.
I love jazz because it swings.
I was first exposed to jazz in Houston.
I met Joe LoCascio and Bob Henschen.
The best show I ever attended was Pat Martino.
The first jazz record I bought was Time Out by the Dave Brubeck Quartet.
My advice to new listeners is to relax on 2 and 4 beats.