All About Jazz

Home » Articles » Live Reviews

3

Live From Old York: Michael Messer, Faris, Blazin' Fiddles & Söndörgő

Live From Old York: Michael Messer, Faris, Blazin' Fiddles & Söndörgő
Martin Longley By

Sign in to view read count
Michael Messer & Faris
Pocklington Arts Centre
November 21, 2015

The acoustic blues weekender at Pocklington Arts Centre has become a regular fixture, led by the English guitarist Michael Messer. He combines daytime tutorial workshop sessions with a Saturday night performance that features guest appearances by the attending players, some of whom have their own recording careers long in place. This year, Messer also invited Faris, an Italian-Algerian singer and guitarist of Tuareg descent, meaning that the desert blues were inevitably on the horizon. Faris was on hand to teach that style, complementing Messer's more familiar bottleneck lessons. This was Faris's first gig in the UK, and the choice of this small country town in the East Riding Of Yorkshire provided a somewhat alternative setting.

Messer is a committed hardcore blues specialist, placing "You Gotta Move" close to the start of his set, the traditional spiritual, as interpreted by Mississippi Fred McDowell. Messer's low-level vocals and soft bottleneck flourishes lent themselves to a subtle reading, bringing in a light foot-tread for "I Can't Be Satisfied" (Muddy Waters), beginning to heat up, before being joined by three of his 'students,' including Stuart Earl, who had his latest disc on sale at the merch table. Earl pushed the character towards a mainline singer-songwriter mode, several steps to the side of the blues, although Messer kept his strings sliding resonantly, almost heading for Hawaii with his sustained vibrato weep.

When Faris took to the stage, following a break, there was a marked intensification of the atmosphere. Messer and company had been sitting, playing quietly, while Faris was standing and turned up louder, his voice also crackling with amplified energy. His style features detailed ornamentation, not massively bluesy, as promised by Messer earlier, but more in keeping with the general orientation of Tuareg music as played by the likes of Tinariwen, Toumast, Ezza and Tamikrest. The striking difference being that all of those acts feature electric guitars, distorted, burning and grainy. Here, Faris was displaying an acoustic aspect that allowed much more detail to be discerned, a silvery density of cascading notes. Clipped and muted phrases added to the detail, as each new curlicue emerged. After around 30 minutes, he brought out a lap steel guitar, edging nearer to the American blues, a hushed minimalism developing from both Faris and the closely gathered audience. "I don't care where they go," he repeated, switching to English, starting to become increasingly Ry Cooder-ed.

Blazin' Fiddles
NCEM
November 23, 2015

Not simply a Scottish combo, Blazin' Fiddles travel right down from the far northerly Highlands and Islands. They've been together since 1998, but still emanate a youthful vigour, not least because their line-up has been rejuvenated down the decades. After a series of departures in recent years, fiddler Bruce MacGregor (from Inverness) is the only original member left in the ranks, but his playing and personality are well up to the demands of fronting this outfit. He's a garrulous host, full of amusing stories and background explanations. The fundamental concept is to have four fiddlers to the fore, backed up by piano-keyboards and upright bass. For much of the performance, all fiddles remain on full thrust, simultaneously sawing away at tripled tune-clusters, the menfolk clumping with their boots to provide percussive emphasis. The individualities of each fiddler shine forth more when they take a break from the group bounding to engage in spotlight sequences, usually in duo or trio formation, alone either with piano or guitar, or both of these. This is a canny move, facilitating greater variety as the evening's two sets cantered along.

Tags

comments powered by Disqus

Related Articles

Read Kyle Nasser at The Red Room, Cafe 939 Live Reviews
Kyle Nasser at The Red Room, Cafe 939
by Doug Hall
Published: October 20, 2018
Read International Jazz Festival Musica Sulle Bocche 2018 Live Reviews
International Jazz Festival Musica Sulle Bocche 2018
by Henning Bolte
Published: October 19, 2018
Read Hong Kong International Jazz Festival 2018 Live Reviews
Hong Kong International Jazz Festival 2018
by Rob Garratt
Published: October 18, 2018
Read Bobby Zankel's Warriors Play Muhal Richard Abrams at October Revolution Live Reviews
Bobby Zankel's Warriors Play Muhal Richard Abrams at...
by Victor L. Schermer
Published: October 16, 2018
Read Dave Burrell Full-Blown Trio at October Revolution Festival Live Reviews
Dave Burrell Full-Blown Trio at October Revolution Festival
by Victor L. Schermer
Published: October 14, 2018
Read Not Two...But Twenty! Festival Live Reviews
Not Two...But Twenty! Festival
by John Sharpe
Published: October 13, 2018
Read "TD Ottawa Jazz Festival 2018" Live Reviews TD Ottawa Jazz Festival 2018
by John Kelman
Published: June 29, 2018
Read "Lionel Loueke Trio at A-Trane" Live Reviews Lionel Loueke Trio at A-Trane
by Friedrich Kunzmann
Published: February 26, 2018
Read "Liberty Ellman Trio at Crescent Arts Centre" Live Reviews Liberty Ellman Trio at Crescent Arts Centre
by Ian Patterson
Published: April 22, 2018
Read "Gary Peacock Trio at the Regattabar Jazz Club" Live Reviews Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Published: December 27, 2017