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This welcome historical twofer is comprised of two very fine trio recordings, each with Ray Brown and Gene Harris and each using a different drummer.
The Red Hot Ray Brown Trio (Concord, 1987) employed Mickey Roker and was recorded at the Blue Note in New York City, November-December 1985. Bam, Bam, Bam (Concord, 1989) was recorded with Jeff Hamilton on drums at the Concord Jazz Festival, Kan-I Hoken Hall, Tokyo in December 1988.
Both recordings included blistering Harris interpretations such as his Gospel-infected gallop through the ballad “Have You Met Miss Jones?” and the Ray Brown-penned funk-fest “F.S.R (For Sonny Rollins).” But these discs still belong to Ray Brown, ever the leader. His sure time and steadiness are famous and in complete evidence here. And, to boot, this collection contains Gene Harris’ famous interpretation of the Gershwin classic, “Summertime,” perfectly capturing the conflict between desire and repentance, the church and the bar room, Saturday Night and Sunday Morning. The best barrel-house piano one could hope for.
Track Listing: 1. Have You Met Miss Jones? - 4:20
2. Meditation - 6:05
3. Street of Dreams - 5:18
4. Lady Be Good - 6:23
5. That's All - 6:10
6. Love Me Tender - 6:53
7. How Could You Do a Thing Like This to Me? - 5:06
8. Captain Bill - 4:07
9. Introductory Announcement - 0:36
10. F.S.R. (For Sonny Rollins) - 5:27
11. Put Your Little Foot Right Out - 6:00
12. Rio - 7:02
13. If I Loved You - 3:49
14. Introductory Announcement - 0:22
15. Summertime - 7:15
16. Days of Wine and Roses - 6:53
17. Introductory Announcement - 0:19
18. A Night in Tunisia - 6:24
19. Bam Bam Bam - 4:20
Personnel: Jeff Hamilton - Drums;
Gene Harris - Piano;
Ray Brown - Bass;
Mickey Roker - Drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...