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Eric Mintel's previous albums have shown his attachment to the Dave Brubeck Quartet. While in this his third album he doesn't entirely discard the influence of his icon, there is a decidedly more modern bent to the music. This advanced approach is due in good part to the presence of the hard bop sax of Neil Wetzel.
The play list has four Mintel originals, a couple of standby classics and Mintel's nod to Brubeck, Desmond's classic "Take Five". As is usually the case, the live audience infuses the quartet with drive and energy as they perform at peak levels. Wetzel's biting sax is heard to great advantage on a lengthy, swinging "Swing Time" as Mintel's piano engages in give and take with bassist Dave Antonow. Jeremy Berberian rips off heavy drum breaks from time to time keeping everyone on their toes.. Mintel's bent for the classical mode is heard in his "Chant" as Wetzel kicks off as if he were playing a piece for saxophone quartet. It then segues nicely into a medium tempo with vestiges of classical influences, especially in Mintel's delicately stoked pianism. Wetzel manages to give his soprano a viola like sound during the coda. More pretty music with a lengthy exposition of "These Foolish Things" featuring Wetzel's sax, this time cool and dry, and Antonow's bass. The album's pièce de resistance is "Take Five". Mintel starts out by replicating Brubeck's familiar introduction. Then it's everyone for himself as the group strikes out on more musical tangents than Brubeck ever used. For more than ten minutes, this tune gets an in depth interpretative MRI examination before the group returns to the basic theme. Every member of the quartet gets a gold star for their efforts as does the album which is recommended. Visit the quartet at www.ericmintelquartet.com.
Track Listing: Swing Time; Beautiful Love; Chant; Boogie Sugar!; These Foolish Things; Take Five; Modal Music
Personnel: Eric Mintel - Piano/Leader; Neil Wetzel- Sax; Dave Antonow - Bass; Jeremy Berberian - Drums
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.