All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Upon its inception in 1970, Curved Air became a prominent exponent of British progressive rock, fronted by vocalist Sonja Kristina. Superb musicianship was a forté, spawning notables such as keyboardist Francis Monkman, keyboardist/violinist Eddie Jobson and violinist Darryl Way. Fast-forward several decades and Kristina and original band drummer Florian Pilkington-Miksa reorganize the unit with a new faces, yet sustain the core group sound and tradition via this impacting live CD/DVD release, culled from its 2010/2011 Live Atmosphere tour.
"Marie Antoinette" is one of the ensemble's signature works, first appearing on Phantasmagoria (Warner Bros, 1972). Like most of the other tracks on this album, Kristina sings with gusto, tinted with misty overtones amid a true sense of ownership, adding to the album's surging impetus.
Keyboardist Robert Norton repeats a spooky, flute-like Moog riff that transcends the theme-building efforts into a memorably melodic, yet somber etude, alternated by the musicians scorching straight-four rock vamps. Also treated with distortion-laced guitar leads, rocketing violin passages and a bridge, developed with circular piano phrasings and the soothing synth lines, the group raises the intensity, yet tempers the pitch with a distinct sense of prog-based regality, crashing and burning, however, for the finale. It's wonderful to hear this touching work after all these years, although the band beefs it up with a rockier edge when it zooms in for the kill.
Personnel: Sonja Kristina: vocals; Florian Pilkington- Miksa: drums; Paul Sax:Violin; Chris Harris: bass and backing vocals; Kit Morgan: guitar; Robert Norton: keyboards.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.