2

The Max Nagl Ensemble: Live at Porgy & Bess Vienna

Glenn Astarita By

Sign in to view read count
Track review of "Ippen Erger"

The Max Nagl Ensemble: Live at Porgy & Bess Vienna There's no telling what Austrian woodwind artist Max Nagle will pull out of his stockpile of tricks. A premier progressive jazz acolyte and prominent improviser, he's an ideas man who has recorded for many prominent European avant-garde record labels. Here, Nagl's nonet sculptures a program formed on traditional concepts with a nouveau 'tude. But his concentrated focus and uncanny manner of bridging multiple gaps all at once, generates a source of inspiration.

The live program intimates an air of rejuvenation. One of the more notable tracks is "Ippen Erger," a piece designed with complex rhythmic maneuvers that spark a sense of anticipation throughout. From the onset, the musicians coagulate a sense of disorder, then surge onward with dreamlike avant- expressionism amid punchy beats and free form detours. One of the more interesting aspects pertain to Pamelia Kurstin's use of the Theremin, often stylized into a vocal component atop Nagl's torrid sax lines and the strings sections' soaring upper-register ostinatos. However, the main plot is directed towards a mini-historical perspective, where straight-ahead jazz, rock, and the outside strata align with subtlety, grace, brawn and an air of intrigue. His compositional impetus is devised with melodic content, yet he doesn't favor any one particular genre.

Nagl bears a mark of distinction, whether engaging small or large ensemble projects or on releases where he fuses electronics and intersperses numerous musical vernaculars, often yielding a parade of striking frameworks.

Track Listing:

Personnel: Pamelia Kurstin: Theremin; Joanna Lewis: violin; Anne Harvey-Nagl: violin; Max Nagle: soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone; Clemens Salesny: clarinet, alto saxophone, tenor saxophone; Phillip Yeager: trombone; Clemens Wenger: keyboards; Raphael Preuschi: bass; Herbert Pirker: drums.

Year Released: 2012 | Record Label: Rude Noises | Style: Modern Jazz


Shop

More Articles

Read Groove Dreams CD/LP/Track Review Groove Dreams
by Dan Bilawsky
Published: May 23, 2017
Read Kami Fusen CD/LP/Track Review Kami Fusen
by Glenn Astarita
Published: May 23, 2017
Read Two CD/LP/Track Review Two
by Joe Gatto
Published: May 23, 2017
Read Galaxies Like Grains Of Sand CD/LP/Track Review Galaxies Like Grains Of Sand
by Roger Farbey
Published: May 23, 2017
Read Nightfall CD/LP/Track Review Nightfall
by John Kelman
Published: May 22, 2017
Read Pekka CD/LP/Track Review Pekka
by Roger Farbey
Published: May 22, 2017
Read "Bright Side" CD/LP/Track Review Bright Side
by David A. Orthmann
Published: October 31, 2016
Read "Three Miles From Avalon" CD/LP/Track Review Three Miles From Avalon
by Doug Collette
Published: October 15, 2016
Read "Greatest Licks - I Feel Like Singin'" CD/LP/Track Review Greatest Licks - I Feel Like Singin'
by Chris Mosey
Published: March 25, 2017
Read "Honey For The Biscuit" CD/LP/Track Review Honey For The Biscuit
by James Nadal
Published: August 13, 2016
Read "Landing" CD/LP/Track Review Landing
by Mark Sullivan
Published: April 30, 2017
Read "Solstice" CD/LP/Track Review Solstice
by Dan Bilawsky
Published: October 30, 2016
comments powered by Disqus

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, hide slide-outs, and provide read access to our future articles.

Buy it!