2

The Max Nagl Ensemble: Live at Porgy & Bess Vienna

Glenn Astarita By

Sign in to view read count
Track review of "Ippen Erger"

The Max Nagl Ensemble: Live at Porgy & Bess Vienna There's no telling what Austrian woodwind artist Max Nagle will pull out of his stockpile of tricks. A premier progressive jazz acolyte and prominent improviser, he's an ideas man who has recorded for many prominent European avant-garde record labels. Here, Nagl's nonet sculptures a program formed on traditional concepts with a nouveau 'tude. But his concentrated focus and uncanny manner of bridging multiple gaps all at once, generates a source of inspiration.

The live program intimates an air of rejuvenation. One of the more notable tracks is "Ippen Erger," a piece designed with complex rhythmic maneuvers that spark a sense of anticipation throughout. From the onset, the musicians coagulate a sense of disorder, then surge onward with dreamlike avant- expressionism amid punchy beats and free form detours. One of the more interesting aspects pertain to Pamelia Kurstin's use of the Theremin, often stylized into a vocal component atop Nagl's torrid sax lines and the strings sections' soaring upper-register ostinatos. However, the main plot is directed towards a mini-historical perspective, where straight-ahead jazz, rock, and the outside strata align with subtlety, grace, brawn and an air of intrigue. His compositional impetus is devised with melodic content, yet he doesn't favor any one particular genre.

Nagl bears a mark of distinction, whether engaging small or large ensemble projects or on releases where he fuses electronics and intersperses numerous musical vernaculars, often yielding a parade of striking frameworks.


Track Listing:

Personnel: Pamelia Kurstin: Theremin; Joanna Lewis: violin; Anne Harvey-Nagl: violin; Max Nagle: soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone; Clemens Salesny: clarinet, alto saxophone, tenor saxophone; Phillip Yeager: trombone; Clemens Wenger: keyboards; Raphael Preuschi: bass; Herbert Pirker: drums.

Year Released: 2012 | Record Label: Rude Noises | Style: Modern Jazz


Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read The Wild CD/LP/Track Review The Wild
by Dan McClenaghan
Published: February 26, 2017
Read "The Brothers Brown:  Dusty Road" CD/LP/Track Review The Brothers Brown: Dusty Road
by C. Michael Bailey
Published: March 7, 2016
Read "The Evolution Suite" CD/LP/Track Review The Evolution Suite
by Troy Dostert
Published: October 10, 2016
Read "Araminta" CD/LP/Track Review Araminta
by Mark Corroto
Published: February 17, 2017
Read "Blue Innuendo" CD/LP/Track Review Blue Innuendo
by Edward Blanco
Published: May 14, 2016
Read "Eleven Promises" CD/LP/Track Review Eleven Promises
by C. Michael Bailey
Published: July 30, 2016
Read "A Zoology of the Future" CD/LP/Track Review A Zoology of the Future
by John Sharpe
Published: September 23, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!