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There's no telling what Austrian woodwind artist Max Nagle will pull out of his stockpile of tricks. A premier progressive jazz acolyte and prominent improviser, he's an ideas man who has recorded for many prominent European avant-garde record labels. Here, Nagl's nonet sculptures a program formed on traditional concepts with a nouveau 'tude. But his concentrated focus and uncanny manner of bridging multiple gaps all at once, generates a source of inspiration.
The live program intimates an air of rejuvenation. One of the more notable tracks is "Ippen Erger," a piece designed with complex rhythmic maneuvers that spark a sense of anticipation throughout. From the onset, the musicians coagulate a sense of disorder, then surge onward with dreamlike avant- expressionism amid punchy beats and free form detours. One of the more interesting aspects pertain to Pamelia Kurstin's use of the Theremin, often stylized into a vocal component atop Nagl's torrid sax lines and the strings sections' soaring upper-register ostinatos. However, the main plot is directed towards a mini-historical perspective, where straight-ahead jazz, rock, and the outside strata align with subtlety, grace, brawn and an air of intrigue. His compositional impetus is devised with melodic content, yet he doesn't favor any one particular genre.
Nagl bears a mark of distinction, whether engaging small or large ensemble projects or on releases where he fuses electronics and intersperses numerous musical vernaculars, often yielding a parade of striking frameworks.
Personnel: Pamelia Kurstin: Theremin; Joanna Lewis: violin; Anne Harvey-Nagl: violin; Max Nagle: soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone; Clemens Salesny: clarinet, alto saxophone, tenor saxophone; Phillip Yeager: trombone; Clemens Wenger: keyboards; Raphael Preuschi: bass; Herbert Pirker: drums.
I love jazz because it’s what sounds
I was first exposed to jazz in my
parents household and in school
I appreciate many styles of jazz
and shy away from really outside
stuff. I enjoy relating to the
One of the best shows I ever
attended was 1975 Chick Corea’s
Return To Forever tour at an
intimate venue in downtown
The first jazz record I bought was
Herbie Hancock’s Chameleon.
My advice to new listeners is try
several styles before you decide
what jazz is all about!
Listen to music daily and stay open