Don Ellis no more gave a damn about the status quo in Jazz than the man in the moon did. He was not so much an iconoclast as a creative, happy-go-lucky creator of interesting music who was not so much out to make a point as to try something new and different and maybe make some descent music at the same time. Koch Jazz and re-released Ellis’ last recording, Live at Montreux, in an expanded edition, including three pieces previously unreleased. Ellis was to die a year later in December 1978 of a failing heart.
Ellis employed a very large orchestra (four reeds, eight brass, one keyboard, two bassists, two drummers, two percussionists, and a string quartet) to perform six of his original compositions that serve as fine vehicles for a series of excellent solos. The main players are trumpeter Ellis, multireedist Ted Nash, and trombonist Alan Kaplan. A great snapshot of edgy ‘70s jazz.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!