Recorded several years ago at a live club date in Los Angeles, Wayne Peet's quartet boils over with a hot, steamy affair that brings you up and out of your seat within minutes. The crafty organist, best known for the creative improvised music that he's worked out with Vinny Golia, as well as numerous Southern California studio assignments, turned Al's Bar into a one-night stand of hail and rain. His musical partners, drummer Russell Bizzett and guitarists Nels Cline and G.E. Stinson, throb and swing while Peet lays down a rhythmic foundation and slides around the room with an array of quirky melodies.
Experimenting with myriad electronic effects, the quartet creates impressions of mystery and suspense. Their soulful groove gets your body reacting naturally, while their spontaneous explorations translate into meaningful dialogue.
Peet opens "Five Doors" with an eerie juncture, enters with a placid air, builds gradually to a fierce understanding, and closes with all cylinders firing at once. He takes "Five Swirls" through a suite-like set of impressions that provide moving landscapes. "Inner Funkdom" struts and stares with a cocky outlook as the quartet parades its feelings on the matter for all to see. Woven throughout the session is a thread of funk and down-home fun. Peet has soul, and his quartet has the freedom to turn it loose. Together, they have created a recommended album that's sure to appeal to a broad audience.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues,The L.A. Jazz Scene, and Cadence Magazine.