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There's something about the word "crossover that makes musicians and their fans cringeas if it's bad to be considered diverse. Yet that's exactly what Hiroshima isa band that plays a little bit of everything.
Originating in Los Angeles, this Japanese-American ensemble has been a lesson in cultural diversity since its beginnings in 1974 and album debut in 1979. Hiroshima's music, though largely centered around the genre of smooth jazz, blends traditional Asian melodies with R&B, pop, African styles and some straightforward jazz. Often, several of these elements come together in a single track, which is the case through much of Little Tokyo.
The core band is comprised of Dan Kuramoto (saxophones, flutes, keyboards), ex-wife June Kuramoto( koto), Kimo Cornwell (keyboards, Rhodes, piano), Danny Yamamoto (drums), Shoji Kameda (taiko, percussion), Dean Taba (acoustic bass), Dean Cortez (bass) and a several guest musicians.
"Midnight Sun sets things off with Dan Kuramoto's brooding flute setting up June's koto, which brings the other instruments in. This Middle Eastern-inspired track features Kameda and Kenny Endo on taiko drums, one of several tracks with one or both musicians. Dan's tenor sax engages in a haunting, snake charmer solo.
Pieces of a Dream's James Lloyd wrote "Lanai, on which he also plays keyboards and synthesizers. This track, more so than most, has a strong smooth jazz feel. It's an upbeat groove, accented by the koto, Cornwell's elegant piano and Dan Kuramoto's tenor. The funky "Red Beans and Rice features the Kuramotos mostly, but Cortez's bass line and Yamamoto's drum licks help spice it up.
Han contributes to "Quan Yin (Goddess of Compassion), playing the ehru, a stringed instrument that sounds similar to the violin. Taba's acoustic bass helps give this track an old-school jazz feel, though the other instruments make it distinctively Eastern. Cornwell's solo on the Rhodes injects a bit of 1970s fusion, punctuated by Yamamoto's work on the toms and cymbals.
Over the years, Hiroshima has earned several awards: Odori (Razor and Tie, 1980) earned a Grammy nomination. Another Place (Sony/Epic, 1985) spawned the hit single "One Wish and became the group's first gold record. Go (Sony/Epic, 1987) topped the Billboard Contemporary Jazz Chart for three months and earned a Soul Train Award for Best Jazz Album of 1987. These honors are due in large part to the group's widespread appeal. That appeal remains strong with Little Tokyo.
Track Listing: Midnight Sun; On the Fence; Lanai; Red Beans and Rice; Sir Charles; Hidden Times; Shades of Honor; Quan Yin; Drama; Hiro Chill; Little Tokyo Underground.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.