Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
151

Lisa Sokolov at Enzo's Jazz Room

Budd Kopman By

Sign in to view read count Views
Lisa Sokolov
Enzo's Jazz
The Jolly Hotel Madison
New York, NY

April 18, 2007

Lisa Sokolov is one of those performers who must be experienced. Yes, her 2004 CD Presence won Best CD of 2004 from Downbeat Magazine, but I had not heard it. Enzo Capua told me she was something special, and he was not kidding.

The most important thing was that Sokolov gave a total, one hundred percent, no-holding-back performance in front of no more than fifteen people. Sokolov is a force of nature and literally took over the room for the hour.

It was easy to sit there and list the stylistic influences: Bette Midler in energy and pure camp, Janis Joplin in the sometimes scratchy voice, Leon Russel for the preaching, Laura Nyro during "God Bless The Child" and maybe Nina Simone somehow.

However, the single most important influence must be Betty Carter. No, Sokolov does not sound at all like Carter. Carter was called "avant-garde" because of the way she deconstructed a song, sometimes turning it inside out, to get at its center. No one sang "If I Could Write A Book" like Carter and no one sings "Oh, What A Beautiful Morning" like Sokolov.

Rather than search for influences and comparisons, the only thing to do during this amazing set was to sit back and let the shaman named Lisa Sokolov cure you—avant-garde, indeed! Supporting this whirlwind were bassist Cameron Brown and drummer Gerry Hemingway, both of whom appeared on the record. Thus, the trio was a well-oiled machine and the act ran smooth as silk.

Not that Cameron and Hemingway merely played their parts. Cameron had some notated music, but Hemingway did not, and both of them followed Sokolov's every twist and turn, even when it appeared she did not know exactly what was going to happen. Cameron showed he can turn on a dime (a necessary skill with Sokolov to be sure), while Hemingway produced more of a percussive backdrop than a beat as he constantly switched between brushes, mallets and his hands.

In sum, Sokolov should be considered more a jazz musician than a jazz vocalist, and with this set, she just blew me away.

Shop For Jazz

CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Read more articles
A Quiet Thing
A Quiet Thing
Laughing Horse Records
2009
buy
Presence
Presence

2004
buy
[no cover]
Presence
Rhythm Zone
2003
buy
Brad Mehldau Brad Mehldau
piano
Vijay Iyer Vijay Iyer
piano
Tony Bennett Tony Bennett
vocalist
Amy Lee Amy Lee
saxophone
Betty Carter Betty Carter
vocalist
Jamie Cullum Jamie Cullum
vocalist
Alex Cline Alex Cline
drums
Terry Disley Terry Disley
piano

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.