Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Linda Tillery at Freight and Salvage

Walter Atkins By

Sign in to view read count
Linda Tillery
Freight and Salvage Coffee House
Birthday Celebration
Berkeley CA
September 4, 2015

Seasoned San Francisco Bay Area vocalist Linda Tillery assembled a fine lineup of local musicians, including some decades old friends and a recent new one, to help celebrate her birthday and musical life. Tillery presented a diverse repertoire of blues, jazz, soul, folk and gospel to an over flowing venue of friends and family.

The sold out evening was divided into two satisfying sets. Tillery featured the talented young Brett Bratnatt on guitar for an acoustic/electric session. This was followed by a full band blow out with long time friends: jazz guitarist Ray Obiedo, keyboardist Tammy Hall-Hawkins, bassist Ruth Davies, drummer Leon Joyce, Jr.. and percussionist Javier Navarette. This staunch unit gave Tillery an excellent platform for her sparkling vocal excursions all night.

Just a few months earlier, Tillery was teaching at Jazz Camp in La Honda CA when she heard what she assumed to be a veteran blues guitarist. She could not believe Brett Bratnatt, a shy seventeen year old, was the source of the wondrous sounds. When she asked him why he played the blues, he simply replied, "he liked it." She was so impressed with the San Jose youngster's talent, she invited him to celebrate her 67th birthday on stage at the long running Freight and Salvage Coffee House in Berkeley.

The versatile vocalist and her teenaged guitarist then got comfortable in their chairs. Tillery sang and told interesting stories while the quiet Bratnatt alternated between electric and acoustic guitars for each tune. She opened with Keb' Mo''s 1994 composition "Am I Wrong." She added, "If you feel it, let it come out of you." With acoustic accompaniment, Tillery glided into the Reverend Gary Davis gospel song "I Heard The Angels Singin.'" Her next selection was Muddy Waters' intense "I Want You To Love Me." It was ..."reflective of desperate love" and "loving desperately." Tlllery's rich voice was clear and emotive and the FS crowd was captivated.

During the set, Tillery asked her youthful guitarist if he was an "aberration of nature." On the Professor Longhair number "Tippitina," the packed place clapped and tapped its feet to the music. Tillery played a cajon with brushes on another tune. She threw in a rift from the Beatles' 1963 "I Saw Her Standing There." The celebrated singer performed the traditional hymn "Will The Circle Be Unbroken" with acoustic support by Bratnatt while the audience softly sang and clapped. During the song, Tillery said of her guitarist, "He's so shy he won't take two choruses."

At the break, one of the thrilled customers told her friend that Tillery's ..."wealth of cultural material was wide ranging and's just amazing." When Tillery and the full band came out to start the second session, all the ladies wore fresh Hawaiian leis. She talked about growing up in the City's Fillmore and asked if there were any Lowell High School people in the house. About a half dozen people, including this photojournalist, put their hand up. The vocalist/percussionist asked the Lowellites to meet in the lobby after the show for some group photos.

She introduced one of her "favorite guitarists" and old friend Ray Obiedo. "Known him 40 -45 years and he played great jazz in the 80s...funky stinky guitarist," she said. Tillery had known bassist Davies for about 20 years. Tillery said she wasn't influenced by the greats like Aretha Franklin. Her influences were local artists like Lady Bianca who was also in attendance. She added no one gets there alone and there are a few originals like Leon Joyce Jr. "This guy is clean and always on time" she announced.

Tillery kicked off the second half with Gil Scott-Heron's memorable jazzy "Lady Day and John Coltrane." Obiedo's guitar and Davies' bass formed the ideal foundation for her lush deep vocals to work. Hall stretched out on this fast paced number. Growing up in the 60s with "music of resistance" she said, "most people think of Joan Baez , Bob Dylan or Crosby Stills & Nash." She thought of Nina Simone. Tillery responded to a crowd comment with "Are you from Oakland?" and received a roar from the room. Tonight, she addressed the Viet Nam War and social issues with music from African American composers. Davies was asked to play the bass line from Marvin Gaye's 1971 classic "Inner City Blues." The guitar and percussion solos here were splendid.


comments powered by Disqus


Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Live Reviews
The 2019 Tibet House U.S. Benefit Concert
By Mike Perciaccante
February 17, 2019
Live Reviews
By Henning Bolte
February 16, 2019
Live Reviews
America At The Paramount
By Mike Perciaccante
February 16, 2019
Live Reviews
Brussels Jazz Festival 2019
By Martin Longley
February 15, 2019
Live Reviews
Gourmet At April Jazz Club
By Anthony Shaw
February 13, 2019
Live Reviews
Terri Lyne Carrington and Social Science at Cologne Philharmonic
By Phillip Woolever
February 12, 2019
Live Reviews
Quentin Baxter Quintet At The Jazz Corner
By Martin McFie
February 12, 2019