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The decision to form an acoustic piano trio for his latest release, Light Made Lighter, offered an interesting challenge for Craig Taborn. Although he has years of experience with the instrument, he's also spent every one of those years fiddling with the dials on his Moog. Whether on synthesizer, sequencer, Fender Rhodes or Hammond B-3, he’s made a career of the beauty of sound as its own end. Yet when stripped of the nuanced current that electricity grants him, Taborn's vocabulary remains surprisingly intact. In place of the creeping resonances that he often leaves stewing beneath his dizzying single-note runs, he repeats rhythmic figures that usually achieve the same hypnotic grounding. And the single-note runs, themselves, don't seem to miss the electronics. All but one of Light Made Lighter's songs are Taborn's own compositions, and are split between high energy vamps and solo piano reflections. While it is the vamps that often find Taborn playing his most intense material, using every one of his fingers as fast-paced smatterings of percussion, it is the softer solo work that stands out. Crystallized on his meditative "Morning Creatures," Taborn culls colorful Debussian harmonies, and voices them with Ives' snowy pacing. We get the chance, on these tracks, to hear the bare sentiment that lies underneath Taborn's expert electric manipulations.
Track Listing: bodies we came out of (part 1); st. ride; I cover the waterfront; crocodile; light made lighter; whisky warm; morning creatures; st. rangelhold; american landscape; light made lighter (piano); bodies we came out of (part 2).
Personnel: Craig Taborn: piano; Chris Lightcap: bass; Gerald Cleaver: drums.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.