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A trumpeter whose high-register playing style has been compared to the late Maynard Ferguson, Paul Cacia releases his tenth album and first in the last fifteen years with LegacyThe Last Sessions. It's essentially a compilation of studio sets during the years from 1991 to 2005 recorded with some degree of participation from 25 well-known big name jazz artists (among them Don Menza, Pete Christlieb, Bill Watrous, Tito Puente, Jack Sheldon, Pete and Condi Candoli, and Louie Bellson), some of whom have since passed away, hence the title The Last Sessions. The special guest list also includes legendary arrangers Sammy Nestico, Bill Holman, Ernie Wilkins and Pete Rugolo.
Mastered in HDCD technology, the audio quality here is superb, leaving you with the feeling that you're sitting in the front row of a concert. The music includes straight-ahead big band jazz playing, one classical piece and eight pop/jazz standards, like Billy Strayhorn's "Take The "A Train, "Stormy Weather, "Round Midnight and Cole Porter's "Love For Sale. It was a bit surprising to hear a jazz album open up in a classical mode with Puccini's "Nessun Dorma, which Cacia dominates, soloing in the high-note fashion which has become his trademark. There is a terrific rendition of "Take The 'A' Train, spruced up with tasty solos from Don Menza (tenor), "Snooky Young (trumpet) and the leader.
One of the best pieces on this album is "Why Don't You Do Right, with the only vocals, provided by the sensuous Jennifer Wood, whose sultry voice does the trick. Featuring the performance of no less than eighteen all-stars, Pete Rugolo's "Overtime is a bouncy number with an array of brief solos. Cacia shines with a substantial solo performance on both flugelhorn and high trumpet on the soft and slithering "Angel Eyes. The sessions end with a slow version of "Round Midnight and a percussive Latin-tinged "Love For Sale, featuring the late Tito Puente on timbales.
Given the number and caliber of talented people Cacia assembled, albeit in a piecemeal fashion, to complete this project, I was left a bit disappointed about the shortage of material to savor. At only 38 minutes, this is one of the briefest big band albums I've heard. Nevertheless what I did hear managed to grab my attention. LegacyThe Last Sessions is a respectable recording containing exciting sonically enhanced interpretations of some well-known standards. With star-quality personnel, the musicianship is first-rate. In spite of some glaring shortcomings, this is one big band album that was worth the wait.
Track Listing: Nessun Dorma; Take The "A" Train; Stormy Weather; Why Don't You Do Right; Overtime; Angel Eyes; Jordu; Round Midnight; Love For Sale.
Personnel: Paul Cacia: leader, conductor, trumpet. The Modern Studio Masters: Charlie Davis, Wayne
Bergeron, Rick Baptist, Joe Davis, Frank Szabo: trumpets; Eric Jorgensen, David Stout, Mike
Daigeau, Rich Bullock, Phil Teele: trombone; Tommy Johnson: tuba; Vince DeRosa, Art
Maebe, Gus Klien, Jim Avery, Jeff DeRosa: horns; Marshal Royal, Buddt Collette, Don
Menza, Jay Migliori, Jack Nimitz, Rusty Higgins: reeds; Louie Bellson, Paul Smith, Jimmy
Rowles, Milcho Leview, Dave Stone, Jay Falcone: rhythm section; Jennifer Wood: vocals (4);
Special Guests: Harry "Sweets" Edison, Tito Puente, Conti Candoli, Snooky Young, Jack
Sheldon, Gabe Baltazar, Ray Reed, Bill Watrous, Pete Christlieb, Sal Marquez, Pete Candoli,
Stacy Rowles and Chuck Findley.
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
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