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The full chamber ensemble assembled by Fred Hersch for this project creates a beautiful scene that reflects Walt Whitman's poetry appropriately. A serious tone with religious fervor and dramatic overtones emanates from the adventure.
"Song of Myself," the album's centerpiece, flows gently, with Whitman's poetry supplying the lyrics and Hersch's ensemble supplying the mood. As Kurt Elling sings about people, places, beliefs, and motivation, we can feel the poet's aims. Cello, piano, rustic woodwinds, and gentle brass surround him with conservative colors. Whitman's lengthy piece of literature has always been inspiring. Similarly, Hersch's ensemble sends a convincing message. While the musical impressions that accompany "sounds of the city," "sounds of the day and night," and "the loud laugh of work people at their meal" appear too elementary and transparent, the project's overall impression succeeds in conveying a mature outlook. Elling turns in an outstanding performance.
As McGarry recites "The Mystic Trumpeter" alongside Ralph Alessi's sensual open horn, you can feel the dreams moving them in circles. As she moves to sung lyrics and consonant wordless passages, the duo climbs upon a pedestal to be worshipped. Their combined demeanor places them above the din. As the other ensemble members join them, the piece becomes stronger and louder, while maintaining its perspective of mysticism.
Hersch takes his core trio on an instrumental stroll with "At the Close of the Day," while Elling and McGarry capture most of Leaves of Grass with their unique vocal interpretations. Spoken word, wordless teamwork as members of the band, and lyric rendering presents Whitman's timeless work with deep feeling. The musical painting that Hersch has created honors the poet and his universal theme with open arms.
Track Listing: A Riddle Song; Song of the Universal; Whoever You Are Holding Me Now in Hand; Song of Myself; The Mystic Trumpeter; At the Close of the Day; To You / Perfections; The Sleepers; Spirit That Form'd this Scene / On the Beach at Night Alone; After the Dazzle of Day.
Personnel: Fred Hersch- piano; Drew Gress- bass; John Hollenbeck- drums, percussion; Ralph Alessi- trumpet, flugelhorn; Mike Christianson- trombone; Bruce Williamson- clarinet, alto saxophone, bass clarinet; Tony Malaby- tenor saxophone; Erik Friedlander- cello; Kate McGarry, Kurt Elling- vocals.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.