Take some sweet melodies from Jeff Lynn's ELO, add Keith Emerson on synth and think of an underlying rumbling towards more experimental sound collages, rooted somewhere between the electronic approach of Brian Eno and Miles Davis' early organic-fusion extravaganzas and you'll end up with... well, let's be honest, it still won't sound anything like what keyboardist / composer John Escreet has to offer on Learn to Live . While one preferably shan't judge a book by its cover, his first effort of original compositions in five years is somewhat of an exception, for its content is just as colorful and explosive as suggested by the flamboyant wallet it arrives in. Even the strangeness in Escreet's eyes seems reflected in the music.
Of course, the opening accumulation of references wasn't born out of thin air. Escreet's compositionally eclectic and synth-heavy approach doesn't make for easy listening and the presence of two drummers in stereo only amplifies the hyper-action. The overture, aptly titled "Opening," encompasses the main ingredients this record dwells on: various key-sounds, from the classic Prophet-layering to mild Fender Rhodes textures to acoustic piano, are guided by two seemingly untamable drummers on both sidesEric Harland and Justin Browncreating a wall of sound that accommodates few but fierce harmonic changes. During this energetic interplay, a simple melodic immediacy prevails. If it ended after a minute it wouldn't seem misplaced on a Toto or ELO album.
Freer exercises, such as the quietly boiling "Broken Justice (Kalief)" and even rougher "Test Run" (no reason for doubt about it being exactly that), give the musicians more space to unfold in and thereby establish a roomier ambiance. "Lady T's Vibe" or the title track on the other hand demonstrate a further facet to the musicians' repertoire by introducing R 'n' B and Dance to the mix, culminating in an acid-jazz fest.
But compartmentalization in genres and references won't do this record justice and certainly can't describe the fire which the group undoubtedly is on when "Smokescreen" or "Global Citizen" start taking off. Pairing two drummers is always a huge task, musically and from the technical point of view of the engineer in charge of mixing. Both are mastered with aplomb and make for an intense ride. So, can two drum sets be too much? Yes, absolutely. Is "too much" a whole lot of fun? Yes, absolutely.
Opening; Broken Justice (Kalief); Lady T's Vibe; Test Run; Learn To Live; Smokescreen; Global Citizen;
Contradictions; Humanity Please.
John Escreet: piano, keyboards; Greg Osby: saxophone; Nicholas Payton: trumpet; Eric Harland: drums;
Justin Brown: drums (1, 2, 4, 8).
Title: Learn To Live
| Year Released: 2018
| Record Label: Blue Room Music
All About Jazz & Jazz Near You were built to promote jazz music: both recorded albums and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, limited reopenings and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary step that will help musicians and venues now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the sticky footer ad). Thank you!
Get more of a good thing
Our weekly newsletter highlights our top stories and includes your local jazz events calendar.