July 19, 1973, Ebbetsfield Colorado. I am not sure of the propriety of this release on Pilot Records. The Little Feat Ebbetsfield Concert in 1973 has been a famous bootleg since it appeared. Recorded for radio, Late Night Truck Stop represents a complete Little Feat set. However it got into commercial production, this set is an important addition to the Little Feat discography. It contains tracks from the first three albums and was recorded around the time Dixie Chicken had been released. The concert also contained a version of "The Fan" which was not to appear on vinyl until thirteen months later with the release of Feats Don't Fail Me Now.
Over all, the disc sounds like a well-recorded soundboard bootleg. The sound is superior to, say The Rolling Stones—the Unreleased Live Decca Album, but is inferior to the slickly produced Waiting for Columbus. What is translates to is as exciting a collection of live music as I have heard recently. "Apolitical Blues" here is virile and swarthy as opposed to the sardonic and sarcastic version that appeared on ... Columbus. "Dixie Chicken" is coupled with "Tripe Faced Boogie" and the album concludes with "Cold, Cold, Cold." This version of "Dixie Chicken" was, as expected closer to the studio version than that recorded five years later for "Waiting for Columbus."
What is good about this recording? The listener will hear Lowell George at his long zenith as well as that of the Lowell George-lead Little Feat. George's slide guitar figures more largely here that it would later. This is the truly organic Little Feat, where Bill Payne and Paul Barrere had begun to exert some creative muscle just prior to pissing off George and ultimately taking over the band. This is a superb historic document, illustrating the growth of the band. Compared to Waiting for Columbus, it is rawer, hungrier. Listening to Late Night Truck Stop makes me long for The Complete Waiting for Columbus.
Disc 1:Apolitical Blues; Two Trains; Got No Shadow; The Fan; Texas Rose Caf
Personnel: Lowell George: Guitar, Vocals; Paul Barrere: Guitar, Vocals; Kenny Gradney: Bass, Vocals; Bill Payne: Keyboards, Vocals; Sam Clayton: Percussion, Vocals; Richie Hayward: Drums, Vocals.
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.