Gregg August: Late August

Late August consists of nine original compositions that equally show August's love of Cuban music and surging neo-bop. On the Latin portion of the album, the tunes and presentations are all winners. It begins with "Sweet Maladie," highlighted by Ray Barretto's congas and Wilson "Chembo" Corniel's shekere. The horn section of Donny McCaslin, Myron Walden, and John Bailey provides the added heat. The Cuban influence continues midway through the album with a spirited duet between August and Corniel, now on congas, after the bassist's opening solo on "Los Dos Cotos." Following that, "Melody in Black and Grey" includes the full ensemble, along with Corniel, whose infectious percussion raises this piece another notch.

The most interesting of the non-Cuban tracks is "Treatments in Darkness," which features a rich textural feeling, reflects a jazz tone poem quality, and may possibly be influenced by the writing of Gil Evans. On "Deception," Frank Wess makes an appearance on tenor and guitarist John Hart provides a tasty solo. The closer, "Work in Progress," taken at a relaxed mid-tempo pace, features an impressive tenor sax solo from the usually volitile McCaslin, who largely plays in the lower register.

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