Melvin Rhyne: Kojo

Over the course of his many Criss Cross dates Rhyne has developed quite a simpatico relationship with guitarist Peter Bernstein and drummer Kenny Washington. The three function like an integrated machine, anticipating and feeding lines off of each other with the refinement of well-trained athletes. Rhyne's own style is really something out of the ordinary in that he seems to have eschewed the histrionic displays often associated with the organ and with followers of Jimmy Smith. He also has a knack for writing great hooks that stick in your mind long after the song has ceased. Just sample "Loose Change", which sports a catchy descending triplet melody over a heavy Latin groove that then gives way to a double-timed samba for the bridge. More involved than your typical organ grinder fare, but still down to earth enough to connect with the listener, Rhyne and company deliver an agreeable mix of originals and standards that nicely flow from one to the next.

As for Melvin's buddies here, much has already been written regarding Peter Bernstein's lissome guitar work. His Grant Green-inspired tone fits so well with the organ trio format (just sample him with Lonnie Smith and Larry Goldings for further proof) and his lines are so sensible and tuneful that one can't help but savor every note. Drummer Kenny Washington, in addition to being a sagacious jazz historian and radio dee-jay, is simply one of the best drummers of his generation, with a characteristic sound and encouraging swing that can lift even the dullest session out of monotony. Taken as a threesome, Rhyne, Bernstein, and Washington can seemingly do no wrong and have come up with another winner. Thanks, guys, and keep 'em comin'!

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