He's from Toronto, but with titles such as "African Head Dub," "Brazilian Thunder Throb," "Belize City Bakin'," and the geographically ambiguous "World of Dreams," this third release from producer, composer, multi-instrumentalist and singer Chris Bottomley reflects an international musical vision.
"Belize City Bakin'" strolls you down a colorful reggae lane with easy-to-remember lyrics set to a catchy tune; you're serenaded in the bridge by trumpet and flute, then warmly toasted all over with a crisp horn chart. The set-ending "Belize City Bakin' in Dub" twists and fires up more heady, psychedelic stuff.
The cool instrumental "African Head Dub" opens with the thump of hand percussion and an insistent buzzing bass line that drives its rhythm and melody home. "Brazilian Thunder Throb," its complement, adds horns and scat vocalese that joyously skirts the melody.
Bottomley plays almost everythingbass, acoustic guitar, percussion, djembe, jews' harpand sings. When he teams with Jono Grant, who contributes guitar, piano and other keyboards and percussion, the two leave almost no instrument on the shelf. The pair co-produced "Trouble Makin' Freak" and "Hanging to the Riverbank," tightly arranged large ensemble funk flowing full of sophistication and style, two of Bottomley's best.
Bottomley stretches further out on "Sample the Potion" and "Spider Woman." The lead horn chart in "Potion" is one of his best melodies, and the snare drum accents one beat early to move its rhythm continuously forward. "Spider Woman" also swaggers with a cool blue-tinged horn chart, saxophone cooing through the breaks, creepin' bass line, and wah-wah synthesizer funk, while the drum maintains its impeccable ride across the cymbalthe purposeful undulations of a murderously cool and attractive femme fatale.
Bottomley and Grant are joined by drummers Dean Stone, Davide Lorenzo, and Mike Goodridge, brass and wind players Rick Underhill, Jim Bish, and Bryden Baird, Andru Branch on Hammond B-3 organ, Ken Myhr on guitar, moog and mellotron, and guitarist Moose (Tomas). Though their musicianship is unquestionable, the stars of this set are Bottomley's jazzy pop songs.
Track Listing: Belize City Bakin'; World of Dreams; Full Circle; Floating & Drifting; African Head Dub; Let's Get Together; My Heart Beating; Sample the Potion; Hanging to The Riverbank; Brazilian Thunder Throb; Spider Woman; Trouble Makin' Freak; Belize City Bakin' in Dub
Personnel: Christopher Bottomley: bass, acoustic guitar, percussion, djembe, vocals, jews harp; Jono Grant: guitar, electric piano, piano, clavinet, moog, percussion, samples; Dean Stone: drums; Davide Lorenzo: drums; Mike Goodridge: reggae drums; Andru Branch: hammond B3 organ; Moost (Tomas): reggae guitar; Rich Underhill: alto sax: Bryden Baird: trumpet, flugelhorn; Jim Bish: bass flute; Ken Myhr: guitar, moog, mellotron
Enjoy Three Days on the Beach with Snarky Puppy, Brian Blade & The Fellowship Band, Lettuce, Cecile McLorin Salvant, Lila Downs, Michael McDonald Acoustic Quartet, Christian Scott aTunde Adjuah, Flor de Toloache and more—February 14-16, 2020 at the North Beach Bandshell in Miami, FL.
The winner receives a 3-day pass for two. Excludes travel or lodging.
Acclaimed by the New York Times as one of the “Top 10 Definitive Moments of the Decade in Jazz Music,” GroundUP goes beyond the typical festival experience, breaking down the barriers between audience and artists...
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