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He's from Toronto, but with titles such as "African Head Dub," "Brazilian Thunder Throb," "Belize City Bakin'," and the geographically ambiguous "World of Dreams," this third release from producer, composer, multi-instrumentalist and singer Chris Bottomley reflects an international musical vision.
"Belize City Bakin'" strolls you down a colorful reggae lane with easy-to-remember lyrics set to a catchy tune; you're serenaded in the bridge by trumpet and flute, then warmly toasted all over with a crisp horn chart. The set-ending "Belize City Bakin' in Dub" twists and fires up more heady, psychedelic stuff.
The cool instrumental "African Head Dub" opens with the thump of hand percussion and an insistent buzzing bass line that drives its rhythm and melody home. "Brazilian Thunder Throb," its complement, adds horns and scat vocalese that joyously skirts the melody.
Bottomley plays almost everythingbass, acoustic guitar, percussion, djembe, jews' harpand sings. When he teams with Jono Grant, who contributes guitar, piano and other keyboards and percussion, the two leave almost no instrument on the shelf. The pair co-produced "Trouble Makin' Freak" and "Hanging to the Riverbank," tightly arranged large ensemble funk flowing full of sophistication and style, two of Bottomley's best.
Bottomley stretches further out on "Sample the Potion" and "Spider Woman." The lead horn chart in "Potion" is one of his best melodies, and the snare drum accents one beat early to move its rhythm continuously forward. "Spider Woman" also swaggers with a cool blue-tinged horn chart, saxophone cooing through the breaks, creepin' bass line, and wah-wah synthesizer funk, while the drum maintains its impeccable ride across the cymbalthe purposeful undulations of a murderously cool and attractive femme fatale.
Bottomley and Grant are joined by drummers Dean Stone, Davide Lorenzo, and Mike Goodridge, brass and wind players Rick Underhill, Jim Bish, and Bryden Baird, Andru Branch on Hammond B-3 organ, Ken Myhr on guitar, moog and mellotron, and guitarist Moose (Tomas). Though their musicianship is unquestionable, the stars of this set are Bottomley's jazzy pop songs.
Track Listing: Belize City Bakin'; World of Dreams; Full Circle; Floating & Drifting; African Head Dub; Let's Get Together; My Heart Beating; Sample the Potion; Hanging to The Riverbank; Brazilian Thunder Throb; Spider Woman; Trouble Makin' Freak; Belize City Bakin' in Dub
Personnel: Christopher Bottomley: bass, acoustic guitar, percussion, djembe, vocals, jews harp; Jono Grant: guitar, electric piano, piano, clavinet, moog, percussion, samples; Dean Stone: drums; Davide Lorenzo: drums; Mike Goodridge: reggae drums; Andru Branch: hammond B3 organ; Moost (Tomas): reggae guitar; Rich Underhill: alto sax: Bryden Baird: trumpet, flugelhorn; Jim Bish: bass flute; Ken Myhr: guitar, moog, mellotron
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...