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KC Potpourri (n)a goodly bunch of fine Kansas City musicians addressing themselves through a varied and satisfying program. Assembled by trumpeter and former Berklee educator Mike Metheny, these "jazz sounds from the heartland" prove that there's more to Kansas than steak and tornados. In this case, it's a pleasing mix of quartet, quintet, and big band tracks, originals and standards, with some sterling moments, many of them provided by Metheny himself.
A supremely lyrical player, Metheny manages to make his flugelhorn sound like something from in a dream, or gleaming softly through a fog. His very romantic aura is beautifully showcased here on "We'll Be Together Again," brother Pat's lovely "Always and Forever," guitarist Danny Embrey's pensive "Tell Me Now," and "How Insensitive," which Metheny de-clichés by saying more with less. On this, his seventh recording as a leader, he also plays muted cornet and EVI (electronic valve instrument), which has an eight-octave range, is MIDI-capable, and, as he helpfully points out, "can double as a bug sprayer."
Lest you think this is a ballad album, please note that there are some hard-swinging and bluesy tracks, like the crackling yabba-dabba of "The Flintstones Theme," Benny Golson's jaunty "Are You Real?" (where Embrey shines), the high-energy "Hey Man!," and the greasy version of John Lewis's "Two Degrees East, Three Degrees West," with notable solos by bandmates Bob Bowman and Paul Smith.
The Soundtrek Big Band is fine and tight; the CD itself is warmly recorded, very pleasurable, and further evidence of the genetic nature of musical talent.
Track Listing: The Flintstones Theme, Always and Forever, Two Degrees East, Three Degrees West, Tell Me Now, How Insensitive, Are you Real?, Darn That Dream, Hey Man!, We'll Be Together Again
Personnel: Mike Metheny (flugelhorn, cornet, EVI), Paul Smith (piano, keyboards, synthesizers), Roger Wilder (piano), Danny
Embrey, Rod Fleeman (guitar), Bob Bowman, Gerald Spaits (bass), Tommy Ruskin, Todd Strait (drums). With The
Soundtrek Big Band: Kim Park, Todd Wilkinson (alto sax, flute), Hal Melia (tenor sax, flute), Doug Talley (tenor
sax), Kerry Strayer (baritone sax), Steve Dekker, Jim Cann, Phil Thomas (trombone), Rich Coble (bass
trombone), Steve Molloy, Bob Harvey, Jay Sollenberger, Barry Springer (trumpet, flugelhorn), Joe Cartwright
(piano), Danny Embrey (guitar), Tim Brewer (bass), Tom Morgan (drums).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.