7

Kari Ikonen: Bright and The Helsinki Suite

John Ephland By

Sign in to view read count
Enter the album name here Kari Ikonen Trio
Bright
Ozella Music
2013

The 40-year-old Finnish keyboardist Kari Ikonen—first heard by this reviewer in a live context in his native homeland with another, much more open and unconventional trio Slo Motive—lets his jazz chops shine, his groove glisten and his range within the music flourish with these two releases. From the first bars of Bright with his frolicking swinger "Bapmgwala" it becomes apparent that Ikonen can be both lyrical and slightly mysterious, not to mention show write. Augmented by bassist Ara Yaralyan's surprise, tender arco lines and the tasteful pulse of drummer Markku Ounaskari, this opener sets the stage for a eight-tune journey that includes mostly originals with fresh, fitting, slightly quirky covers of John Coltrane's "Giant Steps" and Jule Styne's "I Fall In Love Too Easily," "Steps" full of hops, skips and jumps, "I Fall" a kind of slow descent that massages the loveliness out of that blues that isn't a blues.

The subtleties come, in part, from the group's melding of European jazz influences with more standard American jazz sensibilities laced with folk elements that include traditional Armenian strains. Hence, whatever makes for the somewhat obscured melody of "Ambivalsante" suggests ambivalence, to be sure, but also more lush lyricism in the form of a ballad that contains selective sparks. Gushan Ashot's quiet "The Testament Of My Heart" and dervish-like "Trance Oriental" both speak to this Armenian flourish in ways that seem embedded within, again, the standard jazz trio form even as fellow Armenian Yaralyan's keening bass lines create a fourth voice through his cello-like bowing. The afterglow of the beautiful, delicate, dreamy "Pacific" closes out this program in the spirit of a moonlit night. Throughout Bright, one gets the sense that freedom runs through three who know each others' moves instinctively. The music is bright as in light, defying gravity in very musical ways.

Kari Ikonen & Karikko
The Helsinki Suite
Eclipse Music
2011

With The Helsinki Suite we get even more of Ikonen's pen on display, this time across six numbers with a treatment of Duke Ellington's "Prelude To A Kiss," again the standard a fitting, if quirky, addition to this fairly idiosyncratic set. The suite is geared around a sextet with sonics that upend the format in very tasteful ways. Part of the allure comes from Ikonen's range to include some Fender Rhodes and moog treatments, heard from the start with the jazzy overture "Harmaja," which also features the vivid reeds of Sonny Heinila. Classical flourishes color the up-tempo swinger "Too Many Times," Ikonen's piano now on display, the tune containing sudden tempo shifts as when Vincent Courtois's cello introduces elements of airy mystery amid a quiet, swinging grind. Laurent Blondiau's trumpet forcefully navigates the uneven, haltering emotional contours of "Kafe Moskva" followed by some loose funky Rhodes from Ikonen. "Bossa Novaya Zemlya" is Cal Tjader meets horn charts and playful/loopy solos meeting splashes of hip-hop, "Bossa" a window, perhaps, into the city's cosmopolitan flavors. "Segundo Tango Alegre," the most classical piece in the suite, hints at what is truly possible for Ikonen as he employs all the instrumental tools in his kit, the melody multi-layered, the sounds textured, the slow movements unresolved.

Bright

Tracks: Bapmgwala; Ambivalsante; The Testament Of My Heart; Plumbum; Giant Steps; I Fall In Love Too Easily; Trance Oriental; Pacific.

Personnel: Kari Ikonen, piano; Ara Yaralyan, bass; Markku Ounaskari, drums.

The Helsinki Suite

Tracks: Harmaja; Too Many Times; Circular; Kafe Moskva; Prelude To A Kiss; Bossa Novaya Zemlya; Segundo Tango Alegre.

Personnel: Kari Ikonen, piano, Fender Rhodes, moog; Sonny Heinila, flute, alto flute, tenor saxophone; Laurent Blondiau, trumpet; Vincent Courtois, cello; Ulf Krokfors, bass; Mika Kallio, drums.

Shop

More Articles

Read Dan Phillips Returns To Chicago Multiple Reviews Dan Phillips Returns To Chicago
by Mark Corroto
Published: February 21, 2017
Read New, Notable and Nearly Missed Multiple Reviews New, Notable and Nearly Missed
by Phil Barnes
Published: January 25, 2017
Read Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas Multiple Reviews Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas
by Doug Collette
Published: January 14, 2017
Read Weekertoft Hits Its Stride… Multiple Reviews Weekertoft Hits Its Stride…
by John Eyles
Published: January 7, 2017
Read Ivo Perelman: The Art of the Improv Trio Multiple Reviews Ivo Perelman: The Art of the Improv Trio
by Jim Trageser
Published: January 4, 2017
Read 2016: An Ivo Perelman Marathon Multiple Reviews 2016: An Ivo Perelman Marathon
by Mark Corroto
Published: January 3, 2017
Read "Three saxophonists very different paths since "Propagations"" Multiple Reviews Three saxophonists very different paths since "Propagations"
by John Eyles
Published: November 23, 2016
Read "Calling Ra, Mr. Sun Ra your rocket ship is ready" Multiple Reviews Calling Ra, Mr. Sun Ra your rocket ship is ready
by Mark Corroto
Published: December 9, 2016
Read "Leonard Cohen and His Legacy" Multiple Reviews Leonard Cohen and His Legacy
by Nenad Georgievski
Published: November 19, 2016
Read "Dan Phillips Returns To Chicago" Multiple Reviews Dan Phillips Returns To Chicago
by Mark Corroto
Published: February 21, 2017

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!