Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

561

Kahil El'Zabar: Urban Bushman

Kurt Gottschalk By

Sign in to view read count
When Chicago percussionist Kahil El'Zabar rolls into town this month—a nicely more common occurrence in recent years—it will be with one of his longest-standing bands. And it will occur at an unusual, but highly appropriate, venue. Rather than the usual jazz club date he ordinarily plays, El'Zabar will appear at S.O.B's, the city's largest and best known club for so-called 'world music.'

It's a ridiculous name for a genre, but an apt one for El'Zabar's blend of African rhythms and jazz freedom. His stage wear, the bells on his ankles and his big drums all create the appearance of—to borrow a phrase from the Art Ensemble of Chicago, a band with whom his career has long been interlaced—the "urban bushman. And the simple melodies, built from a few tones suggested by the drums, of his Ethnic Heritage Ensemble not only represent some of his strongest work, but his commitment to maintaining relationships and moving forward. The band has carried on for three decades, an anniversary they're marking this year with a 30th anniversary CD to be released in May on Delmark Records.

"Today it's difficult to have bands that stay together, El'Zabar said in an interview last summer, when he appeared at the Lincoln Center Out of Doors festival with one of his newer bands, Tri-Factor, with Billy Bang and Hamiet Bluiett. "When you think about Coltrane's quartet or Miles' groups, relationships are an important part of warmth in music. There's a quality in the music that you can feel.

Ethnic Heritage Ensemble dates back to 1976, when El'Zabar was fresh out of his education with Chicago's Association for the Advancement of Creative Musicians. By that time, he had already spent time apprenticing with the greats, having played with Dizzy Gillespie, Gene Ammons, Eddie Harris and Cannonball Adderley, among others. "I paid my dues in what people call the 'straight ahead' music way before Wynton and all of that, he said. Still, the group—a quartet then, with saxophonists Ed Wilkerson and Light Henry Huff and Yosef ben Israel on bass—opened to mixed reviews on a European tour where they opened for Joanne Brackeen. Although the Art Ensemble (at bassist Malachi Favors' suggestion) had already been playing in African clothing and face paint, overt Afro-centrism was still new in jazz. And Ethnic Heritage—even further from what most people thought of as 'jazz' than the Art Ensemble's sound—were seen by some as pushing an agenda too far. But they carried on. When ben Israel left the band, they continued as two horns and percussion, solidifying their sound as well, perhaps, as the ritualistic perception.

That instrumentation—now filled out by Ernest Dawkins (leader of the New Horizons Ensemble) on saxophone and Corey Wilkes (trumpeter in the most recent Art Ensemble lineup)—lasts through to today, although the S.O.B.'s appearance will include guest guitarist Fareed Haque, who played on their 1999 release Freedom Jazz Dance (Delmark).

The band released its first record in 1981, the now out-of-print Three Gentlemen from Chicago, on the German label Moers-Music, and put out discs on two other European labels, Leo and Silkheart (as well as one for the American imprint CIMP), before El'Zabar established what has proven to be a fruitful relationship with the Chicago label Delmark. At the same time he was leading the Ritual Trio and some less documented groups, such as Orchestra Infinity, and playing regularly with saxophonist David Murray. Throughout his various projects, the drum patterns—often built from the cadence of a name or short phrase—have propelled the projects and some three dozen records as leader or co-leader.

Life has a way of cycling around, especially when bands continue for decades. Ritual Trio—which El'Zabar has led for more than 20 years—has survived the loss of Favors, with Yosef ben Israel now on bass.

"Yosef goes with me all the way to the beginnings of our development and now it goes full circle, El'Zabar said. "His approach from a solo perspective is different than Malachi's, but the earthy tone is a complement to the whole sound.

Israel appeared on the group's most recent record Live at the River East Art Center. The trio is rounded out by the vastly underrated saxophonist Ari Brown and for the date included violinist Billy Bang, another longtime El'Zabar collaborator. It marks a new sound for El'Zabar, at once softer with the addition of ben Israel's more melodious playing, and rawer; seemingly untouched, the disc comes off like a bootleg audience recording. Like his 2004 We Is: Live at the Bop Shop (recorded live at a record store in Rochester, NY) it doesn't have the best sound quality in El'Zabar's discography but it does carry an exciting immediacy.

"I like the atmosphere of the last records, it's like an old Blue Note, he said. "You hear the audience. There is a feeling that connects with people.

Tags

comments powered by Disqus

It's Time

It's Time

Kahil El'Zabar
It's Time

Live Reviews
Album Reviews
Interviews
Album Reviews
Interviews
Album Reviews
Read more articles
Follow The Sun

Follow The Sun

Delmark Records
2014

buy
What It Is!

What It Is!

Delmark Records
2013

buy
Ooh Live!

Ooh Live!

Bright Moments/Katalyst
2008

buy
 

Magg-Zelma

I Am Digital Media
2008

buy
Transmigration

Transmigration

Delmark Records
2007

buy

Upcoming Shows

Date Detail Price
Feb23Sat
Ethnic Heritage Ensemble: Be Known Tour
An Die Musik Live
Baltimore, MD
$10-25
Feb23Sat
Ethnic Heritage Ensemble: Be Known Tour
An Die Musik Live
Baltimore, MD
$10-25
Feb25Mon
Ethnic Heritage Ensemble
First Unitarian Church of Pittsburgh
Pittsburgh, PA
$25-30

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Interviews
David Crosby: A Revitalized Creativity
By Mike Jacobs
January 22, 2019
Interviews
Chuck Deardorf: Hanging On To The Groove
By Paul Rauch
January 19, 2019
Interviews
Satoko Fujii: The Kanreki Project
By Franz A. Matzner
January 9, 2019
Interviews
Ted Rosenthal: Dear Erich, A Jazz Opera
By Ken Dryden
January 7, 2019
Interviews
Jeremy Rose: on new music, collaborations and running a label
By Friedrich Kunzmann
January 6, 2019
Interviews
Ronan Skillen: Telepathic Euphoria
By Seton Hawkins
January 5, 2019