California-based tubaist William Roper is among an elite few of virtuosi who are capable of extending their instruments range and capabilities to previously unvisited terrain. The artist is also known for his involvement with legendary new music/modern jazz icons Anthony Braxton and James Newton amid stints with other notables who generally alter or extend the tried and true into novel frameworks for improvisation/composition. With Juneteenth, his inaugural date as a leader, Roper injects his stunning technique into a series of pieces comprising elements of wit, whimsy and pathos.
Juneteenth denotes the date when the slaves of Eastern Texas were freed, yet as Roper cites in the liners: “Of the moment. Really, this is what the album is about: finding and expressing freedom(s) within the context of structures. Even in slavery people do this.” Thus, on pieces such as “The Perfect Construction of Decisive Moments", Roper and percussionist Joseph Mitchell render jazzy explorations via disparate harmonic statements, counterpoint and buoyantly executed melodies. On “Kagami Jishi,” Roper, the late pianist/modernist Glenn Horiuchi (playing shamisen here), Lillian Nakono (Horiuchi's aunt and shamisen expert), Francis Wong (flute), and Tom Kurai (taiko) meld far eastern modalities into quaintly exotic frameworks. By contrast, Roper injects pumping blues-based lines into motifs framed around barely detectable drum patterns, subliminal underlying currents, and simply stated beauty on “Lachrimae.” Recommended!
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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