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Hey, who’s that swingin’ that horn? That sounds like Pops!
Well, though Jonah Jones and Louis "Pops" Armstrong were contemporaries, the comparisons stop there.
Actually, Jonah and Louis do sound alike. And on this album (which takes its title from Jones’s third LP, but which is here reissued with some additional tracks), Jones puts his bell mute to many of the same songs Satchmo was known for, such as "A Kiss To Build A Dream On," "Do You Know What It Means To Miss New Orleans?" and "BillBailey (Won’t You Please Come Home)," many of which he sings on as well, just like Armstrong (though which a much clearer, less raspy voice). In fact, Jones noted Armstrong often as an influence, alongside Dizzy Gillespie and Bunny Berigan.
Though somewhat tight and pinched, Jones’s sound is swinging and peppy, as accessible and fun now as it was when he played with the likes of Jimme Lunceford and Cab Calloway. From the oddly quick pacing of "Slowly But Surely" to the plodding pops and rolling runs of "Night Train" and the stretched-out phrasing of "Just A Gigolo," Jones offers a variety of moods from mellow to madcap and shows why he is considered one of jazz’s most noteworthy nonagenarians.
Track Listing: 1. No Moon at All
2. Baby Won't You Please Come Home
3. Bill Bailey, Won't You Please Come Home
4. Blues Don't Care Who's Get 'Em
5. Jumpin' With Jonah
6. Just a Gigolo
7. It's a Good Day
8. Dance Only With Me
9. Lots of Luck Charley
10. Kiss to Build a Dream On
11. That's A-Plenty
12. Moten Swing
13. Slowly But Surely
14. Night Train
15. Do You Know What It Means to Miss New Orleans?
16. Ballin' the Jack
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.