Guitarist Josh Workman's Jumpin' at the Border swings into that rare "I don't get enough of..." category. I don't get enough of his gypsy style with the Hot Club of San Francisco ("Kali Sara"); I don't get enough of his boppin' (Sippin' at Bell's); I don't get enough of Kim Nalley's bluesy and seductive vocals ("I Can't Face the Music/I Want a little Boy" and "You're Drivin' Me Crazy"); I don't get enough of his Brazilian sound (Andre de Sapato Novo," "Nono," "Carinhoso").
Workman shines in every style he tackles here, on a 72-minute, 16-song tour of jazz sounds. Pick your favoritefor this listener it the Brazilian numbers, but that's just a personal groove I'm in of late. His too-brief Django swing with the Hot Club of San Francisco seems a tantalizing appetizer to a full set of such; and he's particularly tastey behind vocalist Nalley, a lady that makes you want to fall in love/lust with her, with that saucy little growl in her voice on "You're Drivin' Me Crazy."
"Andre de Sapato" is an example of the Brazilian choro writing of mandolin master Jacob do Bandolim, and Workman's picking here sounds tight and piquant, fittingly mandolin-ish. Coro leads into the guitarist's tune, "Monkish," that sounds to these ears more like a laid back Charlie Parker tune than a Thelonious workout.
Workman has an amazing command of styles, but I, selfishly, want to hear that full-on Brazilian CD he might decide to put out. Or the swing set with the Hot Club; or that set of originals...
But this time out the mix of styles keeps the set interesting, the listener engaged.
Track Listing: Jumpin' At The Border;
Andre De Sapato Novo;
The Sweetest Sounds;
No Me Platiques Mas;
I Can't Face The Music;
Take Me in Your Arms;
You're Driving Me Crazy;
Personnel: Josh Workman - electric and acoustic guitars;
Larry Vuckovich - Piano;
Omar Clay,Harold Jones - Drums;
Noel Jewkes Flute - Saxophones;
Nat Johnson, Buca Necak, Perry Thorsell - Bass;
Kim Nalley - Vocals;
Evan Price Violin;
John Santos - Percussion;
The Hot Club of San Francisco Evan Price - Violin, Paul Mehling - Guitar, Ari Munkres - Bass (track 12)
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.