If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Posi-Tone Records is known for showcasing nascent talent, often aligned with proven jazz warriors. With his sophomore release for the label, young tenor saxophonist Brandon Wright garners sympathetic and dynamic support from his ensemble, comprising time-honored vets, such as pianist David Kikoski and bassist Boris Kozlov. Drummer Donald Edwards transmits a holistic rhythmic stance with his acute penchant for toggling between soft and accenting accompaniment or when kicking matters into tenth gear. Possessing a big, blustery sound, Wright executes a manifold rendition of pop-rock vocalist Eddie Vedder's (Pearl Jam) "Better Man."
Wright exceeds any expectations of providing a literal jazz cover of a pop tune. Most important is that he transcends the norm via a hybrid, Latin, jazz waltz and swing composite, and works the piece through various ebbs and flows. Hs spirited attack suggests a deeply personal interpretation, touched with edgy overtones.
Wright's commanding musical presence boasts a sound that is seemingly cloaked in iron, yet tempers the proceedings with soft tonalities atop Kikoski's deft comping and lyrically resplendent solo during the bridge. At times, the saxophonist skirts the outside schema and soars with feverish aplomb towards the finale amid the pianist's lush phrasings. Wright indubitably circumvents the norm on this curiously interesting and refreshing perspective on a vestige of pop culture.
Track Listing: Shapeshifter; Better Man; Walk Of Shame; Illusions Of Light; Big Bully; Choices; Search For
Truth; Wonderwall; The Nearness Of You; He'll Make Me Happy.
Personnel: Brandon Wright: tenor saxophone; David Kikoski: piano; Boris Kozlov: bass; Donald
I love jazz because it takes my mind away and is very relaxing.
I was first exposed to jazz by my older brother every morning while eating breakfast before school he would play Hiroshima One which I hated but after he moved away to college and I moved to Miami I fell in love with jazz music.