Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


John Butcher: duos with piano and harp

John Eyles By

Sign in to view read count
Although his first release, Fonetiks (Bead, 1984), was a duo with pianist Chris Burn, in saxophonist John Butcher's large discography, duos are comparatively scarce. The majority are with drummers such as Gerry Hemingway, Paal Nilssen-Love, Eddie Prevost, Gino Robair, Mark Sanders and Dylan van der Schyff. Other notable partners include pianist Steve Beresford, bassist John Edwards, Toshimaru Nakamura on no-input mixing board, Phil Durrant on electronics and vocalists Phil Minton and Vanessa Mackness.

All his duos demonstrate the saxophonist's creativity and responsiveness to his playing partners. So these two 2010 examples, each with a long-standing partner, are particularly welcome.

John Butcher & Rhodri Davies

Butcher and harpist Rhodri Davies first played together in Butch Morris' London Skyscraper in 1997, then recorded as a duo in 2000 at All Angels leading to the CD Vortices and Angels (Emanem, 2001.) The pair have since toured and worked closely together. In the years after their All Angels recording, they each moved away from straightforward acoustic playing, exploring the use of electronics and extended playing techniques, as at the 2008 Self-Cancellation event curated by Davies. Consequently there has been convergence between the sounds of their instruments, and it is this blurring of boundaries that the two explore on Carliol.

The most immediately striking features of the first six tracks is their restraint and the care that has been taken with the sounds of the two instruments. Consequently, there are few shocks here as sounds gently ebb and flow and overlap. Generally, Butcher and Davies opt for sounds that complement each other rather than for dramatic contrasts. Some sounds are identifiable as from saxophone or harp, particularly for those who have seen Butcher or Davies perform live, but there is a grey area in between where the sounds could be from either or both.

The only track on the album that may make listeners sit up sharply is the closer, "Distant Leazes," on which Butcher introduces a passage of quacking tones which contrast dramatically with Davies' smooth-toned Aeolian harp. Reading the sleeve's small print reveals the explanation: the harp track was recorded by Davies in August 2007 with Butcher adding his saxophone to it in April 2009. Despite the surprise of the contrast, sax and harp work well together; the track makes a contrasting coda, serving to highlight just how tranquil and harmonious the preceding six tracks have been.

under the roofJohn Butcher & Claudia Ulla Binder
Under the Roof

This is their first duo recording together, but Butcher and pianist Claudia Ulla Binder go back over a quarter of a century. Studio-recorded in August 2008 in Zurich, engineered by Martin Pearson—pianist Keith Jarrett's current engineer—Under the Roof clearly benefits from the duo's time spent together, and the care lavished on faithfully capturing the sounds of the instruments. Butcher and Binder sound comfortable together, familiar enough with each other's playing to avoid any getting-to-know-you moments. Everything about the album is beautiful, right down to the minimalist cover art by German artist Michael Eul.

In contrast to Carliol, the sounds here are recognisably from two distinct acoustic instruments. As well as playing the keys Binder plays inside the piano and also makes use of preparations. As ever, Butcher conjures a range of sounds from his horns by varying his embouchure and breathing techniques. Across 15 comparatively brief tracks (the longest under seven minutes, the shortest under two) the pair produce a vast array of sounds. The number of tracks, and the brevity of some, allows the pair to mix and match many contrasting aspects of their playing.

"Skylight" is subdued and restrained; full of slowly evolving tones, it is quiet enough to qualify as eai. At times, as on "Topee," Binder almost adopts the role of accompanist to Butcher's soloist. More often, as on the opener "Lofty," they produce conventional duets in which they are equal partners in dialogue with each other.

The only complaint some might voice is that a few pieces feel as if they end too soon and have great potential to be developed further. The barnstorming "Leak" is an obvious example; it is catching fire and starting to get really exciting when it stops, with Butcher in full flight. Across the album, there is a clear pattern: the longer a track is, the better; none of the tracks outstays its welcome.

The solution is a simple one: Butcher and Binder should waste no time in recording together again; there are enough fruitful avenues here for them to explore over several albums. More!

Tracks and Personnel


Tracks: Pandon Bank; Losh; Gallow Gate; Scrogg; Ouse Poppy; Garth Heads; Distant Leazes.

Personnel: John Butcher: tenor saxophone, soprano saxophone, feedback, motors, embedded harp speaker; Rhodri Davies: pedal harp, lever harp with embedded speaker, electric harp, Aeolian electric harp.

Under the Roof

Tracks: Lofty; Troves; Umbrella; Coffer; Black Martin, Female; Black Martin, Male; Truss Joint; Raincoat; Cantilever; Fledgling; Topee; Housemice; Kestral; Leak; Skylight.

Personnel: John Butcher: tenor saxophone, soprano saxophone; Claudia Ulla Binder: Hamburg Steinway D piano.


comments powered by Disqus

More Articles

Read Rock Candy: Montrose (eponymous) & Paper Money Multiple Reviews Rock Candy: Montrose (eponymous) & Paper Money
by Doug Collette
Published: December 29, 2017
Read Rudresh Mahanthappa’s Indo-Pak Coalition & Rez Abbasi’s Invocation Multiple Reviews Rudresh Mahanthappa’s Indo-Pak Coalition & Rez...
by Mark Sullivan
Published: December 27, 2017
Read Solo: Reflections and Meditations on Monk & Najwa Multiple Reviews Solo: Reflections and Meditations on Monk & Najwa
by Doug Collette
Published: December 23, 2017
Read The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney Multiple Reviews The Original Delaney & Bonnie (Accept No Substitute)...
by Doug Collette
Published: December 23, 2017
Read Van Morrison: Roll With The Punches & Versatile Multiple Reviews Van Morrison: Roll With The Punches & Versatile
by Doug Collette
Published: December 17, 2017
Read The Possibilities of Percussion: Yarn/Wire & ensemble, et. al Multiple Reviews The Possibilities of Percussion: Yarn/Wire & ensemble,...
by Jakob Baekgaard
Published: December 12, 2017
Read "New and Notable Releases" Multiple Reviews New and Notable Releases
by Phil Barnes
Published: October 4, 2017
Read "Van Morrison: Roll With The Punches & Versatile" Multiple Reviews Van Morrison: Roll With The Punches & Versatile
by Doug Collette
Published: December 17, 2017
Read "Old, Borrowed and Just a Little Blue" Multiple Reviews Old, Borrowed and Just a Little Blue
by Geno Thackara
Published: December 11, 2017
Read "Lee Morgan On Music Matters" Multiple Reviews Lee Morgan On Music Matters
by Greg Simmons
Published: March 6, 2017
Read "David Murray Octets on Black Saint" Multiple Reviews David Murray Octets on Black Saint
by Patrick Burnette
Published: October 11, 2017
Read "Blues Deluxe 2" Multiple Reviews Blues Deluxe 2
by Doug Collette
Published: June 25, 2017