Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for readers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

376

Joe McPhee, Dominic Duval and Jay Rosen: Trio X in Amsterdam

John Sharpe By

Sign in to view read count
It was an astonishing, electrifying moment, packing a visceral kick which raised the hairs on the back of my neck
Joe McPhee - tenor saxophone, pocket trumpet
Dominic Duval - bass
Jay Rosen - drums
Bimhuis, Amsterdam
March 26, 2006


A group whose repertoire is based around classics by Monk, Ornette and even Freddie Hubbard, alongside standards and gospel tunes, is not exactly pushing the envelope, right? Well not in the case of Trio X, comprising master musicians Joe McPhee, Dominic Duval and Jay Rosen. They share an affinity for well known tunes, but refined through distinctly avant-garde sensibilities. McPhee has forged unlikely but rewarding partnerships around the globe, working with everyone from Evan Parker to William Parker. Duval has been bassist of choice for Cecil Taylor for much of the last decade, while his frequent cohort Rosen has also stoked the fires of veterans such as Sonny Simmons and Charles Gayle.

Trio X, monikered after an appearance at NYC's Vision Festival which failed to register on the critical radar, have been together for over ten years, releasing seven albums on the CIMP/Cadence labels during that time. I caught them in Amsterdam on the penultimate leg of a short European tour, at the Bimhuis, perched above the waterfront, in the monolithic new Muziekgebouw.

The curtains were drawn for the afternoon performance , shutting out the sparkling sunlight reflecting off the harbour. The sombrely attired band, all in black, matched the subdued setting, but contradicted the sobriety of their appearance with an enthralling 90 minute set of eight pieces uninterrupted by spoken introductions.

The concert started with Rosen chiming hard sharp tones from the edge of his cymbals, then extracting an unhurried series of staccato timbres from his drums. Duval joined with short pizzicato runs down his fretboard, as the two united in flurries of overlapping rhythmic textures. McPhee stood at the back of the stage, listening with his eyes closed, judging his moment of entry. When it finally came his bubbling tenor initially echoed Duval's episodic patterns. Then as Rosen constantly varied the pulse in a busy interplay with the bass, McPhee gently caressed a slow spiritual sounding theme from his tenor saxophone.

The trio was preternaturally responsive to one another, playfully switching the lead around or moving from shout to whisper in an instant and in unison. In the first piece, a reflective lyrical passage from McPhee, floating over a frantic rhythm section (this juxtaposition being a fertile Trio X gambit), seamlessly morphed into Freddie Hubbard's "Little Sunflower . Themes would suddenly appear like a picture coming into focus, only to be spun off at a tangent, until they were subsumed back into he musical ebb and flow. The band played seven pieces plus an encore, largely improvised in the moment, but often touching on familiar themes. "My Funny Valentine and "Goin' Home were both referenced, played with great tenderness by McPhee, for who these tunes clearly have a deep emotional resonance. Other pieces developed organically, from the pattering of McPhee's keypads, or a simple blues motif from Duval, before being taken on a journey into the unknown.

McPhee stuck to tenor saxophone for most of the set, apart from one short excursion on pocket trumpet. His penchant for contrasting the lyrical with the abstract, sometimes within the space of a few notes, was a constant feature. Such is McPhee's talent for extemporising achingly beautiful melancholy themes, that it was difficult to tell if he was following his muse or touching on some obscure gospel tune. McPhee embraced not only straight playing, albeit often with a hoarse vibrato adding to the emotional weight of his line, but also circular breathing, altissimo wailing, guttural swathes of sound and percussive keypad popping, in a magisterial display of the saxophonic arts.

First sitting, and then standing, the imposing Duval anchored the flow while issuing a stream of trenchant commentary. He frequently shaped the arc of the performance with a jaunty riff or a steady strum to redirect energies. His arco sweeps intertwined in a particularly winning combination with McPhee's tenor cries. After the first piece, Duval was sufficiently energised to remove his jacket to reveal a black vest and tattooed arms, but his black shades remained a fixture, worn carelessly like his virtuosity. There was a lovely moment in one solo spot, where he slid his fingers up and down the fretboard coaxing a sequence of gorgeous resonant slurred notes from his bass.

Rosen deployed a kaleidoscopic rhythmic cushion, a tight smile on his face as he sat upright looking away from his kit. His contribution ranged from delicate brushwork to thunderous explosions of different meters, always in sympathy with his peers, whether emphasising McPhee's repeated notes with punctuations on snare or embellishing Duval's riffs with intricate patterns on his hihat.

Tags

comments powered by Disqus

Warning: include(/data/websites/jazznearyou.com/www/html/templates/calendar/cal_related_cached.php): failed to open stream: No such file or directory in /home/websites/allaboutjazz.com/www/html/content/article.php on line 68

Warning: include(): Failed opening '/data/websites/jazznearyou.com/www/html/templates/calendar/cal_related_cached.php' for inclusion (include_path='.:/usr/lib/php5:/data/websites/allaboutjazz.com/www/html:/usr/share/php') in /home/websites/allaboutjazz.com/www/html/content/article.php on line 68

More Articles

Read Lean On Me: José James Celebrates Bill Withers @ NYC Winter Jazzfest Live Reviews Lean On Me: José James Celebrates Bill Withers @ NYC...
by Dan Bilawsky
Published: January 15, 2018
Read Carl Bartlett, Jr. at Jazz At Kitano Live Reviews Carl Bartlett, Jr. at Jazz At Kitano
by Keith Henry Brown
Published: January 13, 2018
Read Kurt Rosenwinkel at Chris’ Jazz Café Live Reviews Kurt Rosenwinkel at Chris’ Jazz Café
by Victor L. Schermer
Published: January 2, 2018
Read Terence Blanchard at Christ Church Cranbrook Live Reviews Terence Blanchard at Christ Church Cranbrook
by Troy Dostert
Published: December 29, 2017
Read Gary Peacock Trio at the Regattabar Jazz Club Live Reviews Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Published: December 27, 2017
Read "AJAZZGO Festival in Cali, Colombia" Live Reviews AJAZZGO Festival in Cali, Colombia
by Mark Holston
Published: October 13, 2017
Read "Kurt Rosenwinkel at Chris’ Jazz Café" Live Reviews Kurt Rosenwinkel at Chris’ Jazz Café
by Victor L. Schermer
Published: January 2, 2018
Read "Shirlee Temper At The Empress Theatre" Live Reviews Shirlee Temper At The Empress Theatre
by Walter Atkins
Published: April 30, 2017
Read "Instant Composers Pool at The MAC" Live Reviews Instant Composers Pool at The MAC
by Ian Patterson
Published: November 8, 2017