Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

235

Joe McPhee: Collaborator

By

Sign in to view read count
From the beginning, multi-instrumentalist Joe McPhee has had a tendency to go against the grain and more often than not, has recorded in non-standard jazz group formations. It's clear that he must view this as one essential way of continually reinvigorating his art. Additionally, he has always seemed game for new and unexpected musical partnerships. These two releases feature McPhee in anomalous situations and both add slightly different wrinkles to his ever-expanding discography.

Joe McPhee/Paul Hession
A Parallax View
SLAM Productions
2006

McPhee and British drummer Paul Hession had played together once when the drummer was in America in 2002. That one date indicated they were kindred spirits, so Hession booked a small UK tour the following year. A Parallax View is the resulting document. Hession is a polyrhythmic drummer who accompanies McPhee (who plays soprano and mostly tenor) with wave-like swells that comment, surround, sometimes skitter around and sometimes prod McPhee but never overpower him. McPhee's playing, especially on tenor has that rapturous, almost- spiritual quality that infuses his best and most-involved playing. "Blue Coat, Blue Collar is a McPhee solo track where his control over the extended range of his instrument is a marvel to behold. Equally gripping is his soprano work on "Evocation . When he enters after Hession's drum solo, he bends and twists his phrases around Hession's rolls, sounding almost like a nadaswaram, before eventually leading into an affecting version of one of his favorite songs, "Goin' Home . McPhee's duet with drummer Hamid Drake, Emancipation Proclamation, is one of the finest in his discography. This one comes pretty close.

The C.T. String Quartet with Joe McPhee
Reqiphoenix Nexus
Cadence Jazz Records
2007

Bassist Dominic Duval and McPhee have been close musical partners for over ten years. In addition to being two-thirds of the long-running Trio X, they've helped each other on various projects. Duval has been bassist in McPhee's Bluette and McPhee has worked with Duval in several groups including his C.T. String Quartet. Reqiphoenix Nexus is an archival recording of the quartet's first incarnation, live at the Knitting Factory in 1999. The billing may be a bit of a misnomer since McPhee only plays (soprano sax) on the second track. It starts as a rhythmic rush before calming down to an Ayler-ian ballad then building to a beautiful swirling intensity. McPhee's soprano blends wonderfully with the quartet's textures. Makes one wish there were more. But the remaining tracks offer plenty too, especially the epic 25-minute closer which amply demonstrates the powerful intuitive interplay of the quartet and arranging and orchestrating skills of Duval in this format. Reqiphoenix Nexus is a fine document that shows the original C.T. String Quartet on a particularly effective night.


A Parallax View

Tracks: Tipping Point; Blue Coat, Blue Collar; From Eremite To Termite; Evocation; Love Is (Like Walking Naked On A Razor Blade); What Can We Do? (For Peter Brotzmann And Michael Zerang).

Personnel: Joe McPhee: tenor saxophone, soprano saxophone; Paul Hession: drums.

Reqiphoenix Nexus

Tracks: The Reqiphoenix Nexus Trine: Parts 1, 2 & 3.

Personnel: Dominic Duval: bass; Jason Kao Hwang: violin; Ron Lawrence: viola; Tomas Ulrich: cello; Joe McPhee: soprano saxophone.


Tags

comments powered by Disqus

More Articles

Read Ivo Perelman Makes It Rain Multiple Reviews Ivo Perelman Makes It Rain
by Mark Corroto
Published: November 12, 2017
Read Jazz from the US Virgin Islands' new breed Multiple Reviews Jazz from the US Virgin Islands' new breed
by Nigel Campbell
Published: November 4, 2017
Read Joe Rosenberg's Ensembles Multiple Reviews Joe Rosenberg's Ensembles
by Jerome Wilson
Published: November 2, 2017
Read Abbey Rader in the Spotlight: Ritual and Phenobarbital Sessions Multiple Reviews Abbey Rader in the Spotlight: Ritual and Phenobarbital...
by Kevin Press
Published: October 27, 2017
Read Two Sides of John Wetton Multiple Reviews Two Sides of John Wetton
by Geno Thackara
Published: October 20, 2017
Read "Dan Phillips Returns To Chicago" Multiple Reviews Dan Phillips Returns To Chicago
by Mark Corroto
Published: February 21, 2017
Read "2016: An Ivo Perelman Marathon" Multiple Reviews 2016: An Ivo Perelman Marathon
by Mark Corroto
Published: January 3, 2017
Read "Clouds and Stormy Nights: A New Pair from QFTF" Multiple Reviews Clouds and Stormy Nights: A New Pair from QFTF
by Geno Thackara
Published: December 19, 2016
Read "NendoDango Records: Reinventing Tradition" Multiple Reviews NendoDango Records: Reinventing Tradition
by Jakob Baekgaard
Published: December 6, 2016
Read "New and Notable Releases" Multiple Reviews New and Notable Releases
by Phil Barnes
Published: October 4, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor