When electric bassist Jimmy Haslip joined pianist/keyboard player Russell Ferrante
as a sideman on guitarist Robben Ford
's recording sessions for The Inside Story
(Elektra Records, 1979), he probably wouldn't have wagered much on his and Ferrante's musical partnership lasting 33 years to date, in one of jazz's most durable and best-loved ensembles, the Yellowjackets
. Haslip is a most lyrical musician, and he brings the elegant tone of an upright bass to his electric model. He talks of "the honest endeavor of making music," and this dedication and humility are the cornerstones of the music that Haslip has made in three decades as cofounding member of the Yellowjackets, and in his numerous parallel projects over the years.
Haslip has good reason to celebrate in 2011: this year is the 30th anniversary of the Yellowjackets, and the band has marked the milestone with its 21st release, Timeline
, released under a new label for the band, Mack Avenue Records. Reaction to the album from fans and critics alike has been universally positive, and it is little wonder, as the recording captures the Yellowjackets in outstanding form. The mood of celebration is cemented by the return of Will Kennedy
to the drummer's chair, after a hiatus of more than ten years, an event which Haslip describes as "a joyous occasion." However, this is no great nostalgia trip, and true to the Yellowjackets' spirit of adventure, the band has been playing its charts in a big band setting in Sweden. This foray into new musical territory for the band has excited Haslip, Ferrante, Kennedy and saxophonist/composer Bob Mintzer
, and Haslip hints that it may yet result in a future recording project. Even when there is plenty of cause to look back and slap each other on the back for a job well done, the Yellowjackets prefer to look forward and continue the line of musical evolution.
In addition, Haslip has just released his third solo CD, Nightfall
, in collaboration with producer/arranger/composer and keyboardist, Joe Vannelli. This CD, like Haslip's previous two solo efforts, explores the bassist's Puerto Rican heritage, and Latin rhythms feature predominantly alongside the bassist's virtuoso playing. With a busy schedule as a producer, and ongoing collaborations with keyboardistJeff Lorber
, guitarist Allan Holdsworth
, and the man who set the ball rolling thirty plus years ago, Robben Ford, Haslip has never been busier, and on the evidence of Timeline
, has never sounded better. All About Jazz:
The Yellowjackets have just released its 21st recording and you've also just released your third solo recording; you must be pretty busy on all fronts these days, no? Jimmy Haslip
I'm just back from Sweden, where I spent the last two weeks with the Yellowjacket,s performing with two different big bands over there, the Stockholm Jazz Orchestra and the High Coast Jazz Orchestra. It was all music of the Yellowjackets. We have about 22 pieces of music, which have been arranged for big band. Most of them have been arranged by Bob Mintzer, but we also have quite a few arrangements by Vince Mendoza
, and we have a few arrangements by Russell Ferrante. AAJ:
Are there any plans to record the Yellowjackets in a big band setting? JH:
Right now we're thinking that there could possibly be a Yellowjackets big band record in the future. It's something we've been discussing, and I think it would be kind of unique for a group like the Yellowjackets to put out a record with a large ensemble. It's a bona fide idea, and something we'll be looking at seriously for the future. I don't know if it will be our next recording, but I know we're all very interested in planning something like this for a future recording. AAJ:
Let's talk about Timeline
; it's the Yellowjackets' 21st album in 30 years which works out as an average of one every 18 months; over such a long number of years that suggests that as a group you enjoy the writing and recording process. Is that fair to say? JH:
Yeah. As a group we feel privileged and fortunate to have had the opportunity to record during our career. Mack Avenue Records is the fourth label we've recorded for in 30 years; we've had two separate recording contracts with Warner Brothers and we were also with MCA Jazz and GRP. We can only be thankful that we've had so many opportunities to record. We don't take any of these opportunities for granted. We know how hard it is to be part of the industry at this point. So, to have this recording out now with a new label is a really good feeling. AAJ:
Some artists might have fifteen labels over 30 years; do you think the relative continuity in the Yellowjackets relationships with these labels has been a factor in the band's longevity and sustained success? JH:
I feel it's definitely a contributing factor. Having the support of a record label provides support on many levels, especially labels which have distribution in countries all over the world. To have that kind of machinery behind you in support of your music really helps. It also supports you in travelling to all of these places to be able to perform. Having the record label behind you, and a band in place to be able to go out and support all of these records in a live situation, is a pretty fertile combination.