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Jazzmeia Horn Live at BIMHUIS Amsterdam
Click the play button in the image below to hear this program.
There is great anticipation surrounding Jazzmeia Horn. She has already been compared to Betty Carter and Sarah Vaughan, and she received compliments from Jon Hendricks and Al Jarreau. Her singing and vocalese skills are of the highest level, and on top of that she does not shy away from addressing current social issues.
On her recent album A Social Call she displays a wide array of influences, from role models such as Mary J Blige and Sister Sister Rosetta Tharpe, but also from African music and Native American cultures.
At a young age, Jazzmeia Horn won various Downbeat Student Music Awards and she twice reached first place in the Sarah Vaughan International Jazz Competition. In 2015 she won the Thelonious Monk Institute Jazz Vocals Competition.
Personnel: Jazzmeia Horn: vocals; Victor Gould: piano; Géraud Portal: bass; Henry Conerway III: drums.
On her recent album A Social Call she displays a wide array of influences, from role models such as Mary J Blige and Sister Sister Rosetta Tharpe, but also from African music and Native American cultures.
At a young age, Jazzmeia Horn won various Downbeat Student Music Awards and she twice reached first place in the Sarah Vaughan International Jazz Competition. In 2015 she won the Thelonious Monk Institute Jazz Vocals Competition.
Personnel: Jazzmeia Horn: vocals; Victor Gould: piano; Géraud Portal: bass; Henry Conerway III: drums.
Playlist
- BIMHUIS Radio Intro (00:00)
- Live Concert @ BIMHUIS: Jazzmeia Horn Quartet (01:24)
Tags
Mixcloud
Jazzmeia Horn
Bimhuis
Netherlands
Amsterdam
Gregory Porter
Betty Carter
Sarah Vaughan
John Hendricks
Al Jarreau
Mary J. Blige
Sister Rosetta Tharpe
Cecile McLorin Salvant
Victor Gould
Geraud Portal
Henry Conerway III
Upcoming Shows
| Date | Detail |
|---|---|
| Mar9Sat |
Jazzmeia HornSavoy-teatteriHelsinki, Finland |
| Mar28Thu |
Jazzmeia HornIsabella Stewart Gardner MuseumBoston, MA |
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Jazz combines creativity from the mind, heart, and the gut. It flourishes through structure and uses melody and rhythm to bridge the musician's creativity and the listener's imagination. I try to appreciate all forms of music and styles of jazz but find myself drawn to the “hot music” of the twenties through the early thirties, including its many contemporary incarnations
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