On any given Sunday especially if the weather is good, if one travels to Long Island's North Shore "Gold Coast" you will occasionally see beautiful, hand-detailed Rolls-Royces, Ferraris, Bentleys or other luxury-end autos tooling about. In more than one conceptual way, Jazzical Menken is tantamount to experiencing this metallic magnificence. The primary difference, thankfully, is that one can enjoy this marvelous recording 24/7/365 and it never needs brakes or horrors!a tune up.
Virtuoso pianist and composer/arranger Joel A. Martin, under his Jazzical® brand banner has gathered an energized group of world-class musiciansplayers and vocalistsput them with his neatly arranged charts and celebrates very well-known works of Oscar®, Grammy®, you-name-it-award-winning composer, Alan Menken.
Deploying a stellar "show band," as well as the actual vocalists who sang these hits for the Disney movies or on Broadway and a full men's chorus to bootMartin and Company chauffeur the listener on an enjoyable 60-minute Disney ride that is entertainment of the highest order. Throw in two Menken world premieres and it's a bravura performance all-around.
Martin is a keyboard whiz who demonstrates chops aplenty ("A Whole New World") and a gift for soulful swinging. His accompaniment behind the All-Star batting order of vocalists is superb ("Cold Enough to Snow," "So Close"). As arranger, he is shrewd to realize that while he's working with golden-spun material, there's still room to place his own mark"Beauty and the Beast" in a vampish "Killer Joe" groove, for example.
With lead trumpeter Winston Byrd deftly driving this luxury bus, the band swings heavy. The rhythm and percussion sections keep things framed well. But, it's the vocalists that steal this show. Liz Callaway ("Part of Your World," "Somewhere That's Green"), Amanda McBroom ("A Place Called Home"), Christine Pedi ("Jazz Lullaby") and the Gay Mens' Chorus of Los Angeles ("Seize the Day") each take Menken's material and flavor it with boffo theatrical flair.
Jazzical Menken is a terrific musical tribute to Menken and his Mouse House canon. It's as enjoyable as a Sunday ride with Tinkerbell as "The Spirit of Ecstasy" on the hood catching the colors of the wind.
Track Listing: Seize the Day; Part of Your World; A Place Called Home; Beauty and the
Beast; Cold Enough to Snow; Jazz Lullaby; Under the Sea; Colors of the
Wind; A Whole New World; So Close; That's How You Know; Anytime You
Need a Friend; Somewhere That's Green; God Bless Us, Everyone.
Personnel: Joel A. Martin: pianist/creator; Liz Callaway: vocals; Amanda McBroom:
vocals; Christine Pedi: vocals; David Dunaway: upright/electric bass;
Steve Johns: drums; Jon Berger: drums/percussion; Fernando Saci:
Brazilian percussion; Paul Lieberman: tenor sax; Winston Byrd:
trumpet; Jon Mark McGowan: trumpet; Sam Burtis: trombone; Chloe
Sasson: conductor; E. Jason Armstrong: vocal conductor; The Gay Men's
Chorus of Los Angeles (Ryan J. De Korte, Christopher M. Etscheid, Doug
Gardner, J. Russell Kieffer, Santo C. Ragno; Dave J. Sanchez; Dave J.
Volpe; Peter Wilson, Justin W. Wu, Ed Carlo Arafiles, David Backus,
Evan Fable, Steve Goodwillie, Markus Honaker, Will Kohlschreiber,
David J. Lick, Josh Minnie, Lance J. Olson, F. Thomas Simpson, Daniel
T. Stewart Mark L. Britt, Bobby Buchanan, Mark Cramer, Cary Monette,
Denny Schimmel, David Sperber, John Yong, Bill Bowersock, Marty Brier,
Kenny Callaghan, Jadrian Johnson, Brandon Petross Oliver, Billy Rugh,
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.