Make a difference: Support jazz online

Support All About Jazz Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.


Daniel Smith: Jazz Suite for Bassoon

Jack Bowers By

Sign in to view read count
Jazz Suite is the second album by bassoonist Daniel Smith to be reviewed in these precincts (Smokin' Hot Bassoon Blues was the first). This one is far more agreeable, for at least two reasons: first, the territory Smith traverses seems to be relatively more familiar (especially the "Baroque Adaptations") and, second, he manages to play squarely on-key, which wasn't always the case on Smokin' Hot Blues. The Scott Joplin rags (there are three) are always a pleasure to hear, even in this singular context (bassoon, strings and rhythm), while pianist Steve Zegray's seductive three-movement "Jazz Suite" kindles memories of the late Henry Mancini's delightful forays into small-group swing.

According to an accompanying press release, Smith has been described (it doesn't say where, when or by whom) as "the Charlie Parker, Gerry Mulligan and J.J. Johnson of the bassoon." Once the thought of Bird, Jeru and J.J. turning over in their graves has passed, the question arises: what are those arbiters hearing? Although Smith plays well here (much better than on Smokin' Hot Blues), the distance between his bassoon and those other jazz icons can still be measured in light years. True, the bassoon is an ungainly instrument whose adaptation to the jazz idiom is precarious at best, but it can be done—witness Australia's Errol Buddle or, more recently, Michael Rabinowitz on his album with French horn virtuoso John Clark. Smith's solos are respectable, with the jazziest of them arising on the Suite's animated finale, but still a long, long way from Parker, Mulligan or Johnson.

The album opens with the "Baroque Adaptations for Bassoon and Jazz Trio," its five parts written, in order, by Antonio Vivaldi, William Byrd, Henry Purcell, Vivaldi again and J.S. Bach. The classically oriented Smith has no trouble breezing through each of them, while the trio (pianist Bruce Boardman, bassist Terry Davis, drummer Martin Drew) is up to the task as well. The Joplin rags are a pleasing departure, sprightly and remarkably well-suited to bassoon. They include "The Chrysanthemum," "The Easy Winners" and "Original Rags." The "Jazz Suite," on which composer / pianist Gray is a standout, benefits from the addition of two splendid sidemen —vibraphonist Jim Lawless and guitarist Mitch Dalton —who help counterbalance Smith's resonant bassoon. The Suite consumes roughly half the disc's forty-one-minute playing time.

This time around, bassoonist Smith leaves a far more favorable impression, thanks in part to his admirable choice of material, first-class sidemen and, most of all, his precise modulation and notable dexterity, which seemed at times to be missing in action on Smokin' Hot Bassoon Blues. For fans of the bassoon, a vivid and impressive album.

Track Listing: Baroque Adaptations for Bassoon and Jazz Trio (Allegro from Concerto in Bb / Pavan: The Earl of Salisbury / Air on a Ground Bass / Largo / Badinerie); Scott Joplin Rags (The Chrysanthemum / The Easy Winners / Original Rags); Jazz Suite for Bassoon (Allegro / Ballade / Finale).

Personnel: Baroque —Daniel Smith: bassoon; Bruce Boardman: piano; Terry Davis: bass; Martin Drew: drums. Rags —Daniel Smith: bassoon; Jonathan Still: piano; Paul Manley: violin; Boguslaw Kosiecki: violin; Kate Musker: viola; Justin Pearson: cello; Michael Brittain: bass. Suite —Daniel Smith: bassoon; Steve Gray: piano; Mitch Dalton: guitar; JimLawless: vibraphone; Roy Babbington: bass; Mike Smith: drums.

Title: Jazz Suite for Bassoon | Year Released: 2015 | Record Label: Summit Records


Related Video

comments powered by Disqus

More Articles

Read Lucas CD/LP/Track Review Lucas
by Mike Jurkovic
Published: January 22, 2018
Read In Paris: The Definitive ORTF Recording CD/LP/Track Review In Paris: The Definitive ORTF Recording
by C. Michael Bailey
Published: January 22, 2018
Read D'Agala CD/LP/Track Review D'Agala
by Mark Corroto
Published: January 22, 2018
Read Not Bound CD/LP/Track Review Not Bound
by Don Phipps
Published: January 22, 2018
Read Not Nearly Enough To Buy A House CD/LP/Track Review Not Nearly Enough To Buy A House
by Mark Sullivan
Published: January 21, 2018
Read Journey to a New World CD/LP/Track Review Journey to a New World
by Troy Dostert
Published: January 21, 2018
Read "Through The Glass" CD/LP/Track Review Through The Glass
by Nicola Negri
Published: March 25, 2017
Read "No Mundo Dos Sons" CD/LP/Track Review No Mundo Dos Sons
by Harry S. Pariser
Published: October 12, 2017
Read "Town And Country" CD/LP/Track Review Town And Country
by Jerome Wilson
Published: June 21, 2017
Read "Loafer's Hollow" CD/LP/Track Review Loafer's Hollow
by Mark Sullivan
Published: March 4, 2017
Read "Upbeat And Sweet" CD/LP/Track Review Upbeat And Sweet
by Mark Sullivan
Published: March 13, 2017
Read "Life In Space" CD/LP/Track Review Life In Space
by Glenn Astarita
Published: December 3, 2017