The folks at Germany's Membran have completed a fascinating take on the history of jazz aptly named Jazz in the Charts. In the process, they have developed a one-of-a-kind compilation of every jazz recording to reach the Billboard charts between the years 1917 and 1954, years when jazz was truly America's popular music.
A massive one hundred-CD collection, it includes 2,211 recordings with each CD devoted to multiple years or, at the height of jazz's popularity, multiple CDs devoted to a single year. Like the label's other comprehensive collections, such as the 168-CD Ultimate Jazz Archive, the packaging is exceptional and a complete set graces a shelf. These are all original recordings remastered in superb 24 bit/96khz sound that has these nuggets sounding better than ever.
Now approaching ninety years later, Volume 1: Tiger Rag, covering the years 1917-1921, intrigues as it chronicles the beginnings of jazz as popular music. During a time when most New Orleans musicians were unknown nationally, The Original Dixieland Jazz Band hit the charts with "Livery Stable Blues. Jazz historians are not often kind to the ODJB, who are painted as pale imitations of the "real thing. They weigh in here with almost half of the cuts in these earliest years and, although light on improvisatory acumen, in the context of the popular music of the day they must have been revolutionary with their exciting stage show and performances that combined novelty with up-tempo dance music.
Two other artists that are much in evidence on Volume 1 are clarinetist Wilbur Sweatman, the first African-American to release a jazz recording, and Mamie Smith, the first African-American female to record blues vocally and whose Jazz Hounds featured pianist Willie "The Lion Smith. Volume 100: Mood Indigo highlights 1954 as jazz's popularity was receding with tunes by Armstrong, Basie and Nat King Cole. The remaining CDs include everything and everyone else to break into the American charts: Membran has issued in one place a series that will be of interest to the casual fan as well as the scholar.
Track Listing: Original Dixieland Jazz Band: Livery Stable Blues; Original Dixieland Jazz
Band: Darktown Strutters Ball; Original Dixieland Jazz Band: (Back Home Again
in) Indiana; W. C. Handys Orchestra of Memphis: Livery Stable Blues; Original Dixieland Jazz Band: At The Jazz Band Ball; Wilbur Sweatmans Original
Jazz Band: Everybodys Crazy Bout The Doggone Blues; Original Dixieland Jazz
Band: Tiger Rag; Wilbur C. Sweatmans Jazz Orchestra: Indianola (Intro: Those
Draft in Blues); Wilbur Sweatman: A Good Man Is Hard To Find (Intro: Sweet
Child); Wilbur Sweatmans Original Jazz Band: Ill Say She Does (Intro: N
Everything); Wilbur Sweatmans Original Jazz Band: Slide, Kelly, Slide; Mamie Smith & Her Jazz Hounds: Crazy Blues; Mamie Smith & Her Jazz Hounds: Fare thee Honey Blues; Original Dixieland Jazz Band: Palesteena; Original Dixieland Jazz Band: Margie (Intro: Singin The Blues); Original Dixieland Jazz Band: Sweet Mama (Papas Gettin Mad; Original Dixieland Jazz Band: Home Again Blues; Mamie Smiths Jazz Hounds: Royal Garden Blues; Mamie Smiths Jazz Hounds: You Cant Keep A Good Man Down; Coon-Sanders Novelty Orchestra: Some Little Bird; Original Dixieland Jazz Band: St. Louis Blues; Original Dixieland Jazz Band: Jazz Me Blues; Ethel Waters accompanied by Cordy Williams Jazz Masters: Down Home Blues; Mamie Smith & Her Jazz Band: Dangerous Blues; Original Dixieland Jazz Band: Royal Garden Blues.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!