All About Jazz

Home » Articles » From Far and Wide

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

15

Jazz In Buenos Aires: Fresh Breezes From The South

Mark Holston By

Sign in to view read count
Longtime regular customers trickle in with picnic baskets and grocery bags full of homemade pasta dishes, freshly baked bread and sweets. Bottles of Malbec begin to circulate and the party spills out into the arcade’s common area.
Galería Apolo is one of many 1950s-style shopping arcades that flank Avenida Corrientes, the gaudy, pedestrian-packed "Broadway" of Argentina's cosmopolitan and bustling capital city. A dimly lit galería, it's the kind of one-stop-shopping destination where tiny specialty shops sell everything from comic books to costume jewelry and a visitor can get a watch repaired or satisfy a caffeine craving. It is a miniscule retail space called Minton's, however, that commands the most fervent customer loyalty. Buenos Aires boasts many small CD and LP shops, but this postage stamp-size space, with its emphasis on mainstream and avant-garde jazz, has become a home away from home for many of the city's most knowledgeable jazz aficionados.

A tradition that says a great deal about the resilient character of the jazz culture in Buenos Aires unfolds at Minton's around noon on the last Friday of every month. Longtime regular customers trickle in with picnic baskets and grocery bags full of homemade pasta dishes, freshly baked bread and sweets. Bottles of Malbec begin to circulate. The party spills out into the arcade's common area. The revelers are virtually all middle-aged men—among them journalists, psychiatrists, sociologists, authors and other members of the city's well-cultivated intelligentsia. Usually one of Argentina's many noted jazz musicians drops by at exactly the right time to be warmly received and have an opportunity to tout their new release or upcoming performance.

Guillermo Hernández is Minton's owner. The shop bulges with new inventory, much of it CD reissues imported from Europe. He smiles as he hauls out a bottle of Minton's own line of red wine emblazoned with a hip, '60s-style label. Then, he beckons visitors to inspect his latest acquisition; a custom-made LP cleaner. It is a locally made masterpiece of exacting mechanical perfection.

The story of Hernández's early upbringing, how he started this enterprise 23 years ago, and how it has become a veritable altar of jazz culture in Buenos Aires, was celebrated in the 2012 documentary Minton's—20 Años by director Jorge Fondebrinder. Loyal patrons, like many of those who show up for the monthly get-together, are featured relating personal accounts of their history with Hernández and patronage of Minton's.

One local jazz luminary featured in the documentary is Adrian Iaies, one of the city's busiest pianists and artistic director of the annual Buenos Aires Jazz Festival. Given the country's precarious fiscal situation and dicey political circumstances, it's remarkable that the city is able to stage a six day festival that includes over 50 performances in seven venues. They range from the open air amphitheater at Parque Centenario, a major urban park, to the iconic Teatro Colón, one of the world's most renowned opera houses. Buenos Aires' two best jazz clubs, Café Vinilo and Thelonious, also host performances, as well as the theater at AMIA, the cultural center for the city's large Jewish community. The building was bombed 21 years ago, with a loss of 85 lives, and concert goers are required to show up an hour early, bearing proper identification, to be allowed entrance.

Today, Iaies is a busy guy, putting finishing touches on this year's talent line-up. At the moment, headliners include guitarist Peter Bernstein and his quartet, Brazilian bassist Sizão Machado and his trio, French pianist Manuel Rocheman and his trio, and Spanish pianist Albert Sanz. Trumpeter Jim Rotondi will be on hand to conduct a big band comprised of local conservatory-trained musicians, and Michele Weir is on tap to conduct vocal workshops. Other major artists will be announced before the November 10 concert kickoff arrives.

Jazz has been prospering in Argentina since the pre-World War I days. North American and European ragtime bands began performing in Buenos Aires as early as 1910. Given the preponderance of well-trained local musicians, it was natural that these artists would hear, appreciate, and emulate the new sounds coming from abroad. In 1927, the appearance in Buenos Aires by U.S. pianist and arranger Sam Wooding and his band, The Chocolate Kiddies, further strengthened a passion for jazz. Since the 1950s, Argentina has been known for its penchant for modernist styles. Pianist Boris "Lalo" Schifrin was "discovered" by trumpeter Dizzy Gillespie while on tour in South America, and soon made his way to the U.S. where he gained fame as both a jazz pianist and composer of motion picture and television soundtracks. Many other prominent Argentine jazz artists were to follow in Schifrin's footsteps over the following decades.

Tags

comments powered by Disqus

Related Articles

Read Polish Jazz: Under The Surface From Far and Wide
Polish Jazz: Under The Surface
by Ian Patterson
Published: July 7, 2018
Read Ryles Jazz Club Closes From Far and Wide
Ryles Jazz Club Closes
by Paul Combs
Published: June 24, 2018
Read Improvising Where No Man Has Gone Before: Encountering William Shatner, Star Trek, And “The Wrath Of Khan” From Far and Wide
Improvising Where No Man Has Gone Before: Encountering...
by Victor L. Schermer
Published: May 22, 2018
Read The World's First International Online Contest by 7 Virtual Jazz Club From Far and Wide
The World's First International Online Contest by 7...
by Hrayr Attarian
Published: January 3, 2017
Read Jazz In Buenos Aires: Fresh Breezes From The South From Far and Wide
Jazz In Buenos Aires: Fresh Breezes From The South
by Mark Holston
Published: September 25, 2015
Read Colombian Festivals: Exotic Jazz Cocktails From Far and Wide
Colombian Festivals: Exotic Jazz Cocktails
by Mark Holston
Published: August 20, 2015
Read "Polish Jazz: Under The Surface" From Far and Wide Polish Jazz: Under The Surface
by Ian Patterson
Published: July 7, 2018
Read "Ryles Jazz Club Closes" From Far and Wide Ryles Jazz Club Closes
by Paul Combs
Published: June 24, 2018
Read "Van Morrison: Roll With The Punches & Versatile" Multiple Reviews Van Morrison: Roll With The Punches & Versatile
by Doug Collette
Published: December 17, 2017
Read "Ron Korb: Pan-Global Flutist" Interviews Ron Korb: Pan-Global Flutist
by Rob Caldwell
Published: June 27, 2018