3

No Reduce: Jaywalkin'

Glenn Astarita By

Sign in to view read count
No Reduce: Jaywalkin' Nascent Swiss saxophonist Christoph Irniger often devises his compositional structures with embryonic tone poems and does not show a proclivity to rush through the body of his largely probing works. His ensemble takes its time within the song development cycle, usually yielding a throng of rewarding results.

Recorded in New York City under the group moniker No Reduce, the musicians often elevate themes by assembling fragments into cohesive statements amid sublime melody lines and power-packed crescendos. Guitarist Dave Gisler is apt to toss in some New York City downtown-ish rock guitar voicings via the band's dipping, soaring, and weaving progressions.

Irniger tears it up and winds the momentum back down on the leisurely moving "Playground." Opposing forces come together then dilute into newly crafted motifs, especially on the down-and-dirty, grunge-like "Faraway But Close Enough," where Gisler's haunting electric guitar lines and drummer Nasheet Waits's gargantuan press rolls supply ominous overtones. Here, Irniger's supple statements atop the guitarist's sprawling chord voicings segue into a torrid free-form blitz. Indeed, sparks must have been bouncing and deflecting off the studio walls.

They let the tigers out of the cage during the bridge on "Morningside Road," where Irniger and Waits delve into some raucous dialogues, then tone it down and refresh their arsenal via odd-metered unison lines and sonorous extended notes. They switch gears on the album closer "The Mouse, which is patterned off a slow-tempo blues riff set down by the rhythm section. Thus, Irniger takes his time forming the primary theme and casts a foreboding vista, starkly contrasted by Gisler's steely voicings.

No Reduce bestows a unique vibe on customary, semi-free territory as the musicians seize an opportunity and feign any semblances of generating a directionless free-for-all, which is often a recurring thread within similar projects of this ilk.

Track Listing: Endangered; The Slope; Playground; Faraway... But Close Enough; Dope Factory; Jaywalkin'; Morningside Road; The Mouse.

Personnel: Christoph Irniger: tenor saxophone; Dave Gisler: guitar; Raffaele Bossard: bass: Nasheet Waits: drums.

Title: Jaywalkin' | Year Released: 2012 | Record Label: Nwog Records


Tags

comments powered by Disqus

More Articles

Read BACHanalia CD/LP/Track Review BACHanalia
by Jack Bowers
Published: June 24, 2017
Read Hallways CD/LP/Track Review Hallways
by Paul Rauch
Published: June 24, 2017
Read The Crave CD/LP/Track Review The Crave
by John Sharpe
Published: June 24, 2017
Read Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) CD/LP/Track Review Chase The Light (Excursions in Soul, Reggae, Funk, and Dub)
by Joe Gatto
Published: June 24, 2017
Read Kickin' Child - The Lost Album 1965 CD/LP/Track Review Kickin' Child - The Lost Album 1965
by Doug Collette
Published: June 24, 2017
Read Towards Language CD/LP/Track Review Towards Language
by John Eyles
Published: June 23, 2017
Read "America's National Parks" CD/LP/Track Review America's National Parks
by Dan McClenaghan
Published: September 27, 2016
Read "Reflections in Cosmo" CD/LP/Track Review Reflections in Cosmo
by Glenn Astarita
Published: March 16, 2017
Read "The Last Remaining Payphone in L.A." CD/LP/Track Review The Last Remaining Payphone in L.A.
by Paul Naser
Published: October 18, 2016
Read "Dare To Be" CD/LP/Track Review Dare To Be
by David A. Orthmann
Published: December 15, 2016
Read "Autumn Tales" CD/LP/Track Review Autumn Tales
by Chris Mosey
Published: June 20, 2017
Read "Swan Song" CD/LP/Track Review Swan Song
by Mark Sullivan
Published: December 17, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.