3

No Reduce: Jaywalkin'

Glenn Astarita By

Sign in to view read count
No Reduce: Jaywalkin' Nascent Swiss saxophonist Christoph Irniger often devises his compositional structures with embryonic tone poems and does not show a proclivity to rush through the body of his largely probing works. His ensemble takes its time within the song development cycle, usually yielding a throng of rewarding results.

Recorded in New York City under the group moniker No Reduce, the musicians often elevate themes by assembling fragments into cohesive statements amid sublime melody lines and power-packed crescendos. Guitarist Dave Gisler is apt to toss in some New York City downtown-ish rock guitar voicings via the band's dipping, soaring, and weaving progressions.

Irniger tears it up and winds the momentum back down on the leisurely moving "Playground." Opposing forces come together then dilute into newly crafted motifs, especially on the down-and-dirty, grunge-like "Faraway But Close Enough," where Gisler's haunting electric guitar lines and drummer Nasheet Waits's gargantuan press rolls supply ominous overtones. Here, Irniger's supple statements atop the guitarist's sprawling chord voicings segue into a torrid free-form blitz. Indeed, sparks must have been bouncing and deflecting off the studio walls.

They let the tigers out of the cage during the bridge on "Morningside Road," where Irniger and Waits delve into some raucous dialogues, then tone it down and refresh their arsenal via odd-metered unison lines and sonorous extended notes. They switch gears on the album closer "The Mouse, which is patterned off a slow-tempo blues riff set down by the rhythm section. Thus, Irniger takes his time forming the primary theme and casts a foreboding vista, starkly contrasted by Gisler's steely voicings.

No Reduce bestows a unique vibe on customary, semi-free territory as the musicians seize an opportunity and feign any semblances of generating a directionless free-for-all, which is often a recurring thread within similar projects of this ilk.


Track Listing: Endangered; The Slope; Playground; Faraway But Close Enough; Dope Factory; Jaywalkin’; Morningside Road; The Mouse.

Personnel: Christoph Irniger: tenor saxophone; Dave Gisler: guitar; Raffaele Bossard: bass; Nasheet Waits: drums.

Year Released: 2012 | Record Label: Nwog Records


Shop

More Articles

Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read June CD/LP/Track Review June
by Dan McClenaghan
Published: February 22, 2017
Read The Invariant CD/LP/Track Review The Invariant
by Mark Sullivan
Published: February 22, 2017
Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read "Refuge In Sound" CD/LP/Track Review Refuge In Sound
by Edward Blanco
Published: April 4, 2016
Read "05:21" CD/LP/Track Review 05:21
by Jim Trageser
Published: November 28, 2016
Read "Nessuno" CD/LP/Track Review Nessuno
by Karl Ackermann
Published: December 30, 2016
Read "The Hidden Notes - Spirit Of Adventure" CD/LP/Track Review The Hidden Notes - Spirit Of Adventure
by Budd Kopman
Published: February 18, 2017
Read "Keep Me Singing" CD/LP/Track Review Keep Me Singing
by C. Michael Bailey
Published: October 8, 2016
Read "Right Where I Need to Be" CD/LP/Track Review Right Where I Need to Be
by Jim Olin
Published: June 6, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!