Sonny Rollins Sonny Please Doxy
It often happens that, as an artist initiates his own record label, the business move is symbolic of an artistic rebirth. Sonny Rollins' Doxy debut is just such an album: the stalwart jazz icon plays his burly burnished saxophone with radiant authority while Clifford Anderson's trumpet fully complements the elder's bittersweet tone. Bobby Broom's guitar supplies a fluid touch, while you can always feel the rhythm section even when you don't hear the bass, drums and percussion. Rollins' first studio album in five years may not fully explain why his stature in the jazz world is so respected, but it's enough to make you want to seek out such recordings as The Bridge and find out.
African Tarantella: Dances With Duke
There's not likely to be a lovelier tribute to Ellington than this one. Or a more astutely crafted one from the artist's vantage point either: masterful young vibraphonist Stefon Harris has fashioned his homage to The Duke completely within his own sophisticated style on a book of commissioned original compositions. Without making the arrangements too busy, Harris is able to fill them with detail allowing he and the band, in the true improvisational spirit of jazz, some room to expand upon the plentiful ideas in the material. A humble bandleader, Harris' stylish way with his instrument never calls attention to itself because he is so deft with the mallets, at up-tempo or ballad. The intellectual rigor of his concept here matches the tangible presence of his musicianship.
At UCLA 1965
Its somewhat lo-fi sound attributable to its original source recordings left untampered for CD release, this entry in the archival series bodes well for a Mingus renaissance. The California concert is indicative of how the bassist/composer's irascible, innovative nature inspired both personal and musical devotion in his musicians. At various points in the vibrant performance, the frontman sounds like he is lecturing both audience and accompanists. At one point, he actually dismisses part of his group from the stage after two missed commencements of one tune, and then briskly conducts the remaining quartet through material given short shrift at the Monterey Jazz Festival just weeks before. As so accurately described in the liner notes, this occasion is as much a workshop as a concert, but that description might suit Mingus' whole career, not just the unusual performance contained on these two discs.
As We Speak
Impossible though it may be to hear these two discs and not think of Egan's former boss Pat Metheny and his Bright Size Life, this album by no means derives from that superlative trio outing (or the John Abercrombie-Dave Holland-Jack DeJohnette Gateway project that actually inspired it). It is rather another occasion where ingenuity, intimacy and empathy flower amongst the three musicians involved. Drummer Danny Gottlieb was, like the bassist/composer, a member of the original four-man Pat Metheny Group, so their telepathy is as enduring as it is well documented. The presence of guitarist Abercrombie adds crucial resonant atmosphere to the proceeding, aiding in the creation of deep, ghostly music that is at once haunting and inviting.
Mule On Easy Street 10-19-2006
Available only from independent retail records stores, this 45-plus minute recording is from one of the in-store appearances Gov't Mule did in the fall of 2006 in support of High and Mighty. A solid if ultimately unexciting performance, it nevertheless has its raison d'etre(s): Danny Louis has slowly but surely gained increasing prominence in the sound of the four-man Mule in the last couple years and the sound of his keyboards is prominent on "Time To Confess and "That's What Love Will Make You Do. That fave of Jerry Garcia's is mixed in with familiar tunes such as "Hammer And Nails and "Time to Confess as well as culls from the new album like "Million Miles From Yesterday and "Unring The Bell. The dub-influenced arrangement of the latter provides a nice segue to a reggae version of Warren Haynes' signature song, "Soulshine, which the author and the group render with more potency than they've been able to muster for a while.
Tracks and Personnel
Tracks: Sonny Please; Someday I'll Find You; Nishi; Stairway To The Stars; Remembering Tommy; Serenade; Park Palace Parade.
Personnel: Sonny Rollins: tenor saxophone; Clifton Anderson: trombone; Bobby Broom: guitar; Bob Cranshaw: electric and acoustic bass; Steve Jordan: drums; Kimati Dinizulu: percussion; Joe Corsello: drums.
Tracks: Thanks For The Beautiful Land On The Delta; Portrait Of Wellman Braud; Bourbon Street Jingling Jollies; Sunset And The Mockingbird; The Single Petal Of A Rose; Memoirs Of A Frozen Summer; African Tarantella; Dancing Enigma.
Personnel: Stefon Harris: vibraphone and marimba; Xavier Davis: piano; Derrick Hodge: bass; Terreon Gully: drums; Steve Turre: trombone; Anne Drummond: flute; Greg Tardy: clarinet; Junah Chung: viola; Louse Dubin: cello
At UCLA 1965
Tracks CD1: Opening Speech; Meditation On Inner Peace; Speech: Introducing Musicians; Meditation On Inner Peace; Speech; Once Upon A Time There Was A Holding Corporation Called Old America (1st False Start); Lecture To Band; Once Upon A Time There Was A Holding Corporation Called Old America (2nd False Start); Ode to Bird And Dizzy; Speech: Call Octet Back; They Trespass The Land Of The Sacred Sioux. CD2: Introduction To Hobart Dotson (Speech); The Arts Of Tatum And Freddy Webster; Speech; Once Upon A Time There Was Holding Corporation Called Old America; Speech To Lonnie Hillyer; Muskrat Ramble; Don't Be Afraid, The Clown's Afraid Too; Don't Let It Happen Here.
Personnel: Charles Mingus: bass, piano; Hobart Dotson: trumpet; Lonnie Hillyer: trumpet; Jimmy Owns: flugelhorn, trumpet; Julius Watkins: French horn; Howard Johnson: tuba; Dannie Richmond: drums. As We Speak
Tracks: CD1: Spirals; As We Speak; Vanishing Point; Mississippi Nights; Alone Together; Your Sweet Way; Three-Way Mirror; Tone Poem For My Father. CD2: Shade And Shadow; Next Left; Dream Sequence; Depraw; Stiletto; Plane To The Trane; Time Out; Summer Sand.
Personnel: Mark Egan: basses; John Abercrombie: guitars; Danny Gottlieb: drums and percussion.
Mule On Easy Street
Tracks: Hammer And Nails; Time To Confess; Million Miles From Yesterday; That's What Love Will Make You Do; Unring The Bell; Soulshine (Reggae Version)
Personnel: Warren Haynes: guitar and vocals; Matt Abst: drums; Danny Louis: keyboards, background vocals; Andy Hess: Bass.