August 2010 has been an interesting month. A few weeks ago I noticed a slight twinge in the right shoulder. The twinge soon became an ache, followed by loss of mobility and muscle tone in the right arm. The pain varies but is always there. As this is being written, I can raise the right arm less than halfway to shoulder height, and can't come near straightening it in front of me. I can flex the right hand but can't lift anything much heavier than a bottle of juice or cola. The muscles in the left shoulder / upper arm are also sore, but so far (knock wood) without any noticeable loss of mobility or strength in the arm or hand (I'm left-handed). To date, I've tried chiropractic and massage, and have been to a physical therapist. I'll have a CT scan this week, followed by more physical therapy, massage and whatever else is needed. Meanwhile, everyday acts, such as shaving, showering, putting on one's shirt and so on have become mini-adventures. Obviously, I am still able to type, else you wouldn't be reading this. The hope is I've only pulled or strained a muscle (or more), or pinched a nerve (or more). If that's the case, time and proper care will resolve the problem. If it's something else, I'll have to deal with that in the best way possible. And so ends the report from sick bay. In other news... Leon Breeden: He Set the Bar High
In 1959, when Leon Breeden
arrived at the University of North Texas (then North Texas State College) to succeed Gene Hall as director of the school's Jazz Studies program, no one said muchout loudabout the program, which Hall had founded in 1946 and led under the guise of "dance band" music, as jazz had earned an unsavory reputation within the precincts of academia. Breeden set to work changing that perception, and by the time of his departure in 1981, the UNT Jazz Studies program was not only accepted but widely applauded as its flagship ensemble, the acclaimed One O'Clock Lab Band (named for its daily rehearsal time), became one of the nation's outstanding college-level bands, recording extensively and garnering half a dozen Grammy Award nominations between 1975 and 2009. In 1967, the One O'Clock Band shared the stage with Duke Ellington
and Stan Getz
in a command performance at the White House, and three years later performed at the prestigious Montreux (Switzerland) Jazz Festival.
Breeden, who died from an abdominal infection August 11 at age 88, became renowned as one of the country's leading jazz educators and held the position of Professor emeritus of the UNT Jazz Studies program. When he came there in 1959, the program had 75 students and four lab bands; when he retired 22 years later, there were 500 students, nine lab bands and a library of more than 4,000 arrangements. Among Breeden's students were pianist / composer Lyle Mays
, trumpeter Marvin Stamm
and saxophonist Lou Marini
. The program won admiration and praise from a number of jazz greats including Ellington, singer Ella Fitzgerald
and bandleader Stan Kenton
who willed his entire big-band library to UNT. Breeden, who grew up in Wichita Falls, TX, was a clarinetist, saxophonist, composer and arranger who before taking the reins at UNT was music director at Grand Prairie High School and band director at Texas Christian University. He played in bands at NBC Radio and wrote arrangements for Arthur Fiedler and the Boston Pops as well as for the Cincinnati and Cleveland orchestras.