Make a difference: Support jazz online

Support All About Jazz Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.

133

Roy Campbell Quartet: It's Krunch Time

AAJ Staff By

Sign in to view read count
Leave your preconceptions at the door when you hit play on this one. Roy Campbell, an incendiary free jazz trumpeter? Sometimes. Wilber Morris, an adventurous, abstract bassist? Sometimes. Guillermo E. Brown, a steaming powerhouse drummer? Sometimes. It's Krunch Time is an exceptionally accessible record, given the broad talent and free jazz experience of the musicians. It challenges the stereotypes that have been imposed on these players, and it showcases the flexibility of the relative newcomer, vibraphonist Kahn Jamal.

Some of the pieces on It's Krunch Time explore time and space with curiosity and liberation. "The Opening," for example, wanders quite a bit as Campbell soars high and Jamal breaks down the barriers of harmony. Morris pulses rather regularly on this one, and Brown offers delicate accents throughout. But then it's a big leap to the hard-swinging funk of Monk's "Bemsha Swing"—where Brown and Morris stick like glue in the pocket. On this tune, Jamal comps the changes while Campbell solos in straight-ahead fashion on top. (In the same vein: "Ode for Mr. DC.") The opener, "Tenderness of Spring," starts out with a delicate, lyrical bass solo and very gradually evolves into a sensitive ballad. The closer takes on "The Star Spangled Banner" with a conspicuously Hendrix-like deconstruction. (Unfortunately, Hendrix's version is much better, in my opinion.)

It's Krunch Time presents a tasteful mix of straight-ahead jazz, lyricism and adventurism, though it mostly stays in an accessible range. This disc deserves praise for its postmodern electicism, and it certainly defies any type-cast roles for its musicians. For the most part, it's a winner—though I'd like to hear these players stretch out a bit more together.


Track Listing: Tenderness of Spring; Krunch Time; Bemsha Swing; New Groes for the New Millenium; Ode to Mr. DC; Khanducting; The Opening; Star Spangled Banner.

Personnel: Roy Campbell: trumpet; Kahn Jamal: vibes; Wilber Morris: bass; Guillermo E. Brown: drums.

Title: It's Krunch Time | Year Released: 2001 | Record Label: Thirsty Ear Recordings

Tags

comments powered by Disqus

More Articles

Read Lucas CD/LP/Track Review Lucas
by Mike Jurkovic
Published: January 22, 2018
Read In Paris: The Definitive ORTF Recording CD/LP/Track Review In Paris: The Definitive ORTF Recording
by C. Michael Bailey
Published: January 22, 2018
Read D'Agala CD/LP/Track Review D'Agala
by Mark Corroto
Published: January 22, 2018
Read Not Bound CD/LP/Track Review Not Bound
by Don Phipps
Published: January 22, 2018
Read Not Nearly Enough To Buy A House CD/LP/Track Review Not Nearly Enough To Buy A House
by Mark Sullivan
Published: January 21, 2018
Read Journey to a New World CD/LP/Track Review Journey to a New World
by Troy Dostert
Published: January 21, 2018
Read "Satoko Fujii Solo" CD/LP/Track Review Satoko Fujii Solo
by Karl Ackermann
Published: January 17, 2018
Read "Morning Sun" CD/LP/Track Review Morning Sun
by Jack Bowers
Published: August 18, 2017
Read "The Willisau Concert" CD/LP/Track Review The Willisau Concert
by Glenn Astarita
Published: July 9, 2017
Read "92 Years Young: Jammin' At The Gibbs House" CD/LP/Track Review 92 Years Young: Jammin' At The Gibbs House
by Dan Bilawsky
Published: June 3, 2017
Read "Unfiltered Universe" CD/LP/Track Review Unfiltered Universe
by Glenn Astarita
Published: November 6, 2017
Read "All Soundings Are True" CD/LP/Track Review All Soundings Are True
by Ian Patterson
Published: December 31, 2017