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Wilson Pickett's first release in over a decade is a hot blast of authentic Southern soul. Pickett sounds downright dangerous as he roars his way through these 11 originals. With rough-hewn guitars, exploding horns, funkified beats and a soulful contingent of backup singers, this one feels like Muscle Shoals circa 1965.
Granted, no song on It's Harder Now is quite as good as "Mustang Sally" or "In The Midnight Hour." But "Stomp," "Soul Survivor" and "Taxi Love" come pretty close, and none of remaining tunes is what you'd call a throwaway. "Stomp" is a seriously funky tune about being seriously angry. It has a groove not unlike Pickett's 1970 hit "Get Me Back On Time, Engine No. 9." "Soul Survivor" is a heartfelt reminiscence about 60's soul music, while "Taxi Love" describes a physical encounter in a taxicab.
Whether it's lovin' the ladies or standing up for his rights, the 58-year-old Wilson Pickett still thinks he's the baddest mother around. After nearly 40 years in the music biz, his testesterone-driven vocals have lost none of their edge. With songs like "What's Under That Dress" and "All About Sex" both of which he co-wrote Pickett shows that he won't be needing a Viagra prescription anytime soon.
Credit producers Jon and Sally Tiven for reviving Pickett's classic sound.
Rating *** 1/2 (out of ****)
Tracks: Outskirts of Town; Taxi Love; What's Under That Dress?; Stomp; Soul Survivor; It's Harder Now; It Ain't Easy; Bad People; All About Sex; Better Him Than Me; Stone Crazy World
Players: Wilson Pickett (vocals); Laurence Etkin (trumpet); Paul Griffin (organ); Simon Kirke, Todd Snare (percussion, drums); Muzz Skillings (bass); Jon Tiven (organ guitar); Mitch Weissman, Billie Ray Martin Charlie Feldman (vocals); Sally Tiven (bass)
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...