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Don't be put off by the name. Intrada, composer / arranger Dave Slonaker points out, is "a musical form often composed as a prelude, overture or fanfare," one whose upbeat phrases give rise to an exhilarating curtain-raiser on Slonaker's initial big-band recording. Rest assured this is a world-class ensemble and there's no doubt whose steady hand is at the helm: Slonaker wrote every number save the standard "It's Only a Paper Moon" and arranged the complete package.
If Slonaker's name is new to you, that's probably because he has spent much of his career as a composer, arranger and orchestrator in films and television. Film credits include Spider-Man, Air Force One, Oz the Great and Powerful, Alice in Wonderland and A Night at the Museum, and he has written for the TV series J.A.G., Murder She Wrote and others. Slonaker has also taught at USC and the Eastman School of Music, while his jazz works have been performed by Clark Terry, the Woody Herman and Count Basie orchestras, and many others.
All of which leads to this consistently impressive album in which Slonaker's vibrant and graceful themes are precisely and eloquently animated by a phalanx of the Los Angeles area's most talented and sought-after musicians. Noteworthy c.v. aside, it's clear from the outset that Slonaker has a jazz musician's soul and a sure command of the music's language and history. His music is contemporary in the best sense of the word, harmonically sophisticated yet always accessible thanks to an unswerving reliance on time-honored melodies and rhythms. In other words, this is big-band jazz that quickens the pulse, swings hard and enhances the tradition.
The same can be said for Intrada itself, a splendid debut by an extraordinary musician who it is hoped will devote even more of his time to leading a band. Well done!
Track Listing: Intrada; It’s Only a Paper Moon; Nite Lites; Nowhere Is a Sometime Thing; Point of Departure; Timelessness; Labyrinth Suite, Part 1 (Labyrinth); Labyrinth Suite, Part 2 (Flight Time); If and Only If; Remembering.
Personnel: Dave Slonaker: composer, arranger, conductor; Wayne Bergeron: trumpet, flugelhorn; Dan Fornero: trumpet, flugelhorn (1-4, 7, 8, 10); Rick Baptist: trumpet, flugelhorn (5, 6, 9); Clay Jenkins: trumpet, flugelhorn; Ron Stout: trumpet, flugelhorn; Bob Sheppard: alto, soprano sax, flute, clarinet; Brian Scanlon: alto sax, flute, piccolo, clarinet; Rob Lockart: tenor sax, clarinet; Tom Luer: tenor sax, clarinet; Adam Schroeder: baritone sax, bass clarinet; Alex Iles: trombone; Bob McChesney: trombone; Charlie Morillas: trombone; Bill Reichenbach: bass trombone, bass trumpet; Ed Czach: piano; Edwin Livingston: bass; Peter Erskine: drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...