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While this recording has Mike Marshall’s name on itand he was an instrumental member of David Grisman’s quartetthe presence of Chris Thile makes Into the Cauldron somewhat of an event. And what an event it is. Recordings like this smack of a single element—virtuosity. Here are two mandolin masters showing off in a duet style using vehicles ranging from Bach’s Goldberg Variations to Charlie Parker’s "Scrapple From the Apple." The quality of the playing makes it sound alien or divinely inspired. The two mandolinists choose a wide variety of musical genres to make their point. Beautiful the Brazilian Baroque "Desvairada" and lyrical "The Saga Of Harrison Crabfeathers." Lest one thinks the disc devoid of hoe- downs, one must look no further than "Fisher’s Hornpipe."
Of the originals, "Stranded in Kodiac" is the most superb, finding Marshall playing the mandocello. Both players employ string damping to great effect to make this an exciting moment. The disc closes with a harmonic "Shamrock Shore," a piece that shows an clear but unintuitive link between American bluegrass music and traditional Irish music. Into the Cauldron is a beautiful recordingeven if these two masters are showing off. More power to them.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.