Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

176

Kent Carter String Trio: Intersections

Glenn Astarita By

Sign in to view read count
Legendary bassist Kent Carter's broad musicality is about much more than simply dabbling within fleeting interests, as evident on this quasi-chamber jazz session. Whether performing within free jazz circles or the modern mainstream, Carter is often an intense stylist. On this string trio endeavor, the bassist serves as the anchor while enjoying ample breathing room among his bandmates' zigzagging staccato lines.

Cerebral in scope yet sometimes fragile with intent, the band pursues daintily melodic chamber frameworks while also generating a number of unexpected surprises. On "Intentions #1, the artists deliver inwardly moving choruses offset by verbose exchanges, and the strings introduce scraping based tonalities where whimsy and angst share common ground. During this evolving state of musical affairs, the trio communicates strength and passion through mood-altering pastiches of sound. During selected movements, they create a gnomic existence while also inducing trance-like states via circular unison lines. The various plots are ingrained within sonorous interchanges and ominous undercurrents.

On "Who Might That Be? the trio develops a walking motif, accentuated by violinist Albrecht Maurer's nimble plucking maneuvers. Ultimately, the art of improvisation maintains equilibrium with the compositional element. Therefore, the music is not overbearing or steeped within directionless flows. Contrarily, the instrumentalists align technical proficiency with intersecting storylines that bespeak uniformity and an entrancing degree of flux. Repeated listens tend to divulge newfound surprises here.


Track Listing: March 17; Blithe; Eigens Fur Eidens; Intentions #1; Exuberance; Pulapka; Who Might That Be?; Blues Suite; In The Mean Time.

Personnel: Albrecht Maurer: violin; Katrin Mickiewicz: viola; Kent Carter: bass.

Title: Intersections | Year Released: 2006 | Record Label: Emanem

Tags

comments powered by Disqus

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Cuando Sea Necesario Album Reviews
Cuando Sea Necesario
By Dan McClenaghan
March 22, 2019
Read West 60th Album Reviews
West 60th
By Peter Hoetjes
March 22, 2019
Read In Between the Tumbling a Stillness Album Reviews
In Between the Tumbling a Stillness
By Mark Corroto
March 22, 2019
Read Arirang Fantasy Album Reviews
Arirang Fantasy
By John Sharpe
March 22, 2019
Read The Secret Between the Shadow and the Soul Album Reviews
The Secret Between the Shadow and the Soul
By Mike Jurkovic
March 22, 2019
Read Octopus Album Reviews
Octopus
By Jack Bowers
March 21, 2019
Read Pinch Point Album Reviews
Pinch Point
By Mark Corroto
March 21, 2019