Michael Rossetto: Intermodal Blues

Mark Sullivan By

Sign in to view read count
Michael Rossetto: Intermodal Blues
Michael Rossetto is a self-taught banjoist and guitarist, whose musical travels have taken him into global music. The focus of Intermodal Blues is the five string banjo, an instrument steeped in traditional American folk and bluegrass music. But Rosetto finds his inspirations elsewhere: in the West African kora and other instruments that were ancestors to the modern banjo; in neo-classical music; and in Italian/Sicilian/Tunisian music.

The title track opens the album with the connection to West Africa. Driven by banjo and overdriven guitar, it has a groove reminiscent of Malian guitarist Ali Farka Touré and American guitarist/producer Ry Cooder on Talking Timbuktu (World Circuit, 1993). "Three on the Five" features Jim Anton's doshpuluur (a fretless long-necked Tuvan lute) as a foil to the banjo, and a shift to an almost neoclassical style, the banjo part reminiscent of a classical guitar.

As the title implies, "Infrica" returns to a more African sound. It features Rossetto's acoustic guitar, in a reflective mood (as well as echoed electric guitar swells for accompaniment). "Something Familiar" goes into more familiar bluegrass territory, the banjo in dialog with Anton's tres (a small Cuban guitar with double courses, placing the sound somewhere in between the guitar and the mandolin). He traces the migration of his parents from the Italian alps in northern Italy through Sicily to Tunis on the two-part sequence "Down from Moncenisia" and "Ferry to Tunis." These tracks again feature the doshpuluur in dialog with the banjo (and the guitar, which is prominently used on the second track). "Magari" concludes the album with a lyrical banjo tune, played more like fingerstyle guitar than bluegrass.

Rossetto has a unique voice on the banjo, but the real star here is the group's approach to his compositions. It is an engaging sound, favoring the big picture over individual virtuosity, and spotlights an interesting blend of (mostly) acoustic instruments as well. A most enjoyable album, and a significant contribution to the "world music" genre.

Track Listing

Intermodal Blues; Three on the Five; Infrica; Smething Familiar; Thornward & Heartland; Two from still; Down from Moncenisio; Ferry to Tunis; Magari.


Michael Rossetto: banjo, guitars; JT Bates: drums, percussion; Chris Bates: bass; Jim Anton: doshpuluur, tres.

Album information

Title: Intermodal Blues | Year Released: 2019 | Record Label: Shifting Paradigm Records

Post a comment about this album



Shop Amazon


Glenn Close/Ted Nash
Special Edition: Procedural Language
Ivo Perelman & Matthew Shipp
Ever Since The World Ended
Lauren White and the Quinn Johnson Trio
Rah! Rah!
Claire Daly
Summer Water
Scott DuBois
Nate Wooley / Liudas Mockunas / Barry Guy /...
Vasko Atanasovski


All About Jazz needs your support

All About Jazz & Jazz Near You were built to promote jazz music: both recorded albums and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, limited reopenings and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary step that will help musicians and venues now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the sticky footer ad). Thank you!

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.