115

Donald Edwards: In the Vernacular

Jack Bowers By

Sign in to view read count
Donald Edwards: In the Vernacular
Perhaps I’ve become too — what’s the word I want — jaded? Spoiled? Whatever. The fact is that in spite of the complimentary liner notes by Ellis Marsalis, I couldn’t find much to get excited about while listening to drummer Donald Edwards’ debut, In the Vernacular — even with one of the contemporary scene’s shrewdest young trumpeters, Nicholas Payton, helping to stoke the fire. Everyone plays competently enough — although Wessell Anderson’s honking, screeching alto on “Duke of Duckland” is more irksome than impressive — so there’s not much cause for complaint. On the other hand, the sort of freshness that would set this date apart from the many other neo–boppin’ sessions competing for one’s consideration seldom surfaces. Six of the nine selections are originals by Edwards, and even the best of them — the Messengers–like “Dee Gee’s Shuffle” — can’t hope to measure up to the three that aren’t — Ellington’s “Sophisticated Lady,” Coltrane’s “Like Sonny” and Strayhorn’s “Lush Life.” Guitarist Whitfield, a resourceful young stylist, has his best moments on “Sophisticated Lady,” on which he is featured with pianist Martin, and on the fast–paced “Truth or Consequence,” while Anderson plays with welcome restraint as he underlines the sad and wistful beauty of “Lush Life.” Martin, an aggressive, two–fisted pianist in the Gene Harris/McCoy Tyner image, solos productively, as does the Trane/Shorter–influenced Winston. Payton, on the other hand, isn’t given much room to stretch, and doesn’t produce his usual convincing impression. Edwards, who clearly boasts well–honed technical skills, takes center stage only on “Mr. Brown” and “Truth or Consequence” but keeps flawless time throughout, as does bassist Guerin. In sum, a well–played post–bop session that is modestly engaging but seldom rises above that.

Track listing: Finger Painted Swing; Duke of Duckland; Dee–Gee’s Shuffle; Sophisticated Lady; Mr. Brown; Essential Passion; Like Sonny; Truth or Consequence; Lush Life (64:22).

Personnel

Donald Edwards, drums; Wessell Anderson, alto saxophone; Nicholas Payton, trumpet; Brice Winston, tenor saxophone; Mark Whitfield, guitar; Peter Martin, piano; Roland Guerin, bass.

Contact: www.leaninghouse.com or e

Album information

Title: In the Vernacular | Year Released: 1999 | Record Label: Leaning House

Post a comment about this album

Tags

Shop Amazon

More

Read Prism
Prism
Conference Call
Read Conspiracy
Conspiracy
Terje Rypdal
Read Freya
Freya
Tineke Postma
Read Unearth
Unearth
New Hermitage
Read Deep Resonance
Deep Resonance
Ivo Perelman
Read Sun Trance
Sun Trance
Markus Reuter
Read Lies
Lies
Clemens Kuratle Murmullo

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.